Falling In Love Again

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Falling In Love Again album cover
Album Information

Total Tracks: 11   Total Length: 58:45

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AutoTuned Pesci!

nathanimal

Yep... Joe Doggs is Joe Pesci. Nobody seems to want to publicly acknowledge this, and it's weird. The playing is swinging, aggressive, and I don't think it's overly polite like the last reviewer said. However, as a sound engineer I've been trained to identify the sound of pitch correction, and Pesci's voice has been pitch corrected very aggressively. I can't be sure, but it sounds like even his terminal vibrato has been added by the pitch corrector (probably AutoTune). That ruined the album for me, but to Pesci's credit, phrasing and style can't be faked, and he does very well on this album. So, if you can tolerate the too-perfect pitch of the singer and the contrived terminal vibrato, this'll be a very satisfying listen for you. The rest of the personnel are in top form.

user avatar

AutoTuned Pesci!

nathanimal

Yep... Joe Doggs is Joe Pesci. Nobody seems to want to publicly acknowledge this, and it's weird. The playing is swinging, aggressive, and I don't think it's overly polite like the last reviewer said. However, as a sound engineer I've been trained to identify the sound of pitch correction, and Pesci's voice has been pitch corrected very aggressively. I can't be sure, but it sounds like even his terminal vibrato has been added by the pitch corrector (probably AutoTune). That ruined the album for me, but to Pesci's credit, phrasing and style can't be faked, and he does very well on this album. So, if you can tolerate the too-perfect pitch of the singer and the contrived terminal vibrato, this'll be a very satisfying listen for you. The rest of the personnel are in top form.

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Joe Doggs is a pseudonym ...

suitandtieguy

... his real name is Joe Pesci. why they chose to obscure this fact i believe does quite a disservice to Pesci's talent as a singer and the cause of organ jazz in general. i would say this album is something everyone should own ... at least so you can feel sad that DeFrancesco was never a Saturday Night Live musical guest when they were still doing that "Joe Pesci Show" thing. about the only criticism i have of this is of course that it is too polite, but most jazz albums today are too polite.

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They Say All Music Guide

Is this still young but nearly legendary hipster, who almost singlehandedly rekindled jazz’s interest in the Hammond B-3 organ, going to the dogs? The folks at Concord Records hope so, sending out a doggie biscuit with their press materials as DeFrancesco gives one of his favorite East Coast jazz singers, Joe Doggs, a prominent spotlight. Doggs’ soulful vocals (praised in the liner notes by Quincy Jones and very reminiscent of the passionate Jimmy Scott experience) and fresh, expansive arrangements are at the cool, swinging heart of the collection’s 11 cherished standards. Between vocal passages, the organ great also continues his long tradition of working with top trad jazz names like Pat Martino, tenorman Red Holloway, drummer Jeff Hamilton (complementing DeFrancesco’s core trio member Byron Landham), and Kevin Eubanks. “All or Nothing at All” rolls along at eight minutes, with DeFrancesco’s B-3 simmering coolly under Doggs’ sweet seductive vocals before swinging harder during the playful instrumental break punctuated by Martino’s crisp guitar solo. The same basic principles embrace the easy, strutting take on the Gershwins’ “But Not for Me,” with DeFrancesco’s lively soloing giving way to a fiery tenor spotlight by Holloway. Other standards given the royal treatment are “Love for Sale,” “Dearly Beloved,” and “My Romance.” Next time when you hear the term “Dogg style,” you may think beyond Snoop Dogg and the more vulgar connotations. – Jonathan Widran

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