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Within A Song

Rate It! Avg: 4.0 (5 ratings)
Within A Song album cover
01
Where Are You
5:49
$1.29
02
Easy Reader
6:34
$1.29
03
Within A Song - Without A Song
7:56
04
Flamenco Sketches
6:33
$1.29
05
Nick Of Time
5:55
$1.29
06
Blues Connotation
6:10
$1.29
07
Wise One
9:10
08
Interplay
6:24
$1.29
09
Sometime Ago
6:25
$1.29
Album Information

Total Tracks: 9   Total Length: 60:56

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eMusic Review 0

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Britt Robson

eMusic Contributor

Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

08.06.12
Intimate and revelatory
2012 | Label: ECM

Within A Song is a testimonial to guitarist John Abercrombie’s longstanding appreciation for beauty. All but two of its nine tracks are covers of songs taken from jazz albums first released in a period from 1959-64, when Abercrombie was between the ages of 14 and 19 and just formulating his aesthetic. Some, such as John Coltrane’s “Wise One” and “Flamenco Sketches” from the Miles Davis disc, Kind of Blue, are justly renowned for their delicacy. But Abercrombie also ferrets out the pleasantly voluptuous contours of Ornette Coleman’s “Blues Connotation” in a manner that contrasts with the antic Coleman original from 1961, and he has a band of top-shelf talents — saxophonist Joe Lovano with him on the front line, and bassist Drew Gress and his longtime cohort, drummer Joey Baron, in the rhythm section — capable of the subtlety and sophistication that spells the difference between what is merely pretty and what is luminescent.

Four of the songs done here previously featured guitarist Jim Hall, whose warm tone and rigorous craftsmanship clearly made an impression on Abercrombie’s style. On the opening “Where Are You,” Abercrombie and Lovano reprise the tender affinity deployed by Hall and Sonny Rollins on The… read more »

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Abercrombie's Best Album in Years

digaman

Exquisitely sensitive and empathic performances of tunes by Bill Evans, John Coltrane, and Ornette Coleman -- along with standards made famous by Jim Hall and others -- make this Abercrombie's best album in years. Gone is the overly tart tone that plagued some of the guitarist's '90s releases; his sound here is closer to his classic work in the '70s with Ralph Towner and the Abercrombie Quartet. You couldn't ask for more copacetic, A-list sidemen than Drew Gress, Joey Baron, and Joe Lovano. Between them, they have so much talent and imagination that these mellow, moody, probing performances are a marvel of contained power. It's also frankly nice to see an ECM release based on standards. To hear this ensemble find its own completely fresh way through a tune like "Flamenco Sketches" (which is virtually uncoverable, because the original on Kind of Blue is so iconic) is breathtaking. Music simply doesn't get better than this.

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