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Coltrane's Sound

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Coltrane's Sound album cover
01
The Night Has A Thousand Eyes
6:49
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02
Central Park West
4:11
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03
Liberia
6:49
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04
Body And Soul
5:38
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05
Equinox
8:07
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06
Satellite
5:51
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07
26-2
6:12
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08
Body And Soul
5:58
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Album Information

Total Tracks: 8   Total Length: 49:35

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Kevin Whitehead

eMusic Contributor

Kevin Whitehead is the longtime jazz critic for NPR’s “Fresh Air” and author of Why Jazz? A Concise Guide (2011), New Dutch Swing (about improvised music in Ams...more »

01.11.10
A smorgasbord of contemporary Coltrane approaches
1999 | Label: Rhino Atlantic

Coltrane's Sound is Atlantic's third helping from the October 1960 sessions for My Favorite Things and Coltrane Plays the Blues, but there was still plenty of meat on the platter. In contrast to those all-standards/all-blues albums, it's a smorgasbord of contemporary Coltrane approaches: a snapshot of his music at the moment his mature concept was coming together. There are two standards ("The Night Has a Thousand Eyes, "Body and Soul"), a steeplechase over tricky, fast-moving harmonies ("Satellite," for trio minus piano), and a tune where he riffs off eastern modes like the ones found in his study bible, Slonimsky's Thesaurus of Scales and Melodic Patterns. That's "Liberia," whose repetitive phrases sound like an invitation to prayer. "Central Park West," later memorably covered by Jack DeJohnette, is one of his loveliest, most original ballads, and the one tune where Trane plays soprano instead of tenor sax. The brooding modal blues "Equinox" is a moan from a wooden church across the fields, far from Central Park. By now two-thirds of his classic quartet's rhythm section had been assembled; pianist McCoy Tyner and drummer Elvin Jones, plus Philadelphia bassist Steve Davis on his final Coltrane sessions. You can hear… read more »

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They Say All Music Guide

This is one of the most highly underrated entries in Coltrane’s voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane’s Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960. So prolific were those recording dates, they informed no less than five different Coltrane albums on Atlantic. The title could not have been more accurate, as each of the six pieces — eight if you count the CD bonus tracks — bear the unmistakable and indelible stamp of Coltrane’s early-’60s style. “The Night Has a Thousand Eyes” and “Body and Soul” — the only tracks not penned by Coltrane — are given unique and distinctive voices. Animating the arrangements on these sessions were Coltrane (soprano/tenor sax), Steve Davis (bass), Elvin Jones (drums), and McCoy Tyner (piano). It’s perhaps Tyner’s recollection of the quartet as “four pistons in an engine” that most aptly explains the singular drive heard during Coltrane’s extended runs on “Liberia.” Tyner flawlessly complements Coltrane with full resonating chords that cling to his volley of sound. The rhythmic gymnastics of percussionist Jones is also showcased as his double-jointed bop swing and military band precision are distinctly displayed on the blues “Equinox.” The opening six bars give Jones a chance to make a contrasting statement — which he takes full advantage of. The two CD bonus tracks — “26-2″ as well as an alternate take of “Body and Soul” — are also available on the Heavyweight Champion: The Complete Atlantic Recordings box set. Regardless of the format, these recordings remain among Trane’s finest. – Lindsay Planer

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