The Empyrean

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The Empyrean album cover
Album Information

Total Tracks: 10   Total Length: 53:51

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Heavenly

7bluehand

Empyrean is a reference to the highest level of heaven according to ancient Greek & Christian cultures as well as in Dante's Divine Comedy. John Frusciante has managed to portray nothing short of pure heaven with this album. Upon first listening this album I wondered what in the world he was doing with that band for which he played guitar a big chunk of his life, what's their name?.....Ah, yes, the Red Hot something or other. The thought does in fact come to mind that he wasted his time with those guys when he could have been making this kind of music all along. However, we all know that 's not true as his career with RHCP gave us such ''empyreal'' music. Flea and a few other friends of his join him in this album which paints a landscape of deep emotions that we all share and this album so eloquently displays. He said upon release that it was intended for us to listen to \"very loud with the lights out.'' Pure genius which words can't describe. The only way to explain heaven.

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Frusciante's Masterpiece

Jason5090

Take Niandra LaDes, The Will to Death, and Shadows Collide with people at all of their best moments, add lots of reverb and other esoteric effects, and Flea on the bass, as well as a conceptual approach to album making that almost comes close to that of Roger Waters...and you can kind of imagine what it's like to listen to the Empyrean. Although there are certain tracks that can stand alone beautifully, it is best to listen to it from beginning to end. The album has a dreamlike quality that is interpreted visually on the cover.

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They Say All Music Guide

After lying low for a few years after a tremendous burst of activity in 2004, John Frusciante is back with another solo album, Empyrean. It starts out with a fantastic instrumental called “Before the Beginning”: a great minor key guitar solo, replete with echoplexed drums that was surely inspired by “Maggot Brain.” After that, it’s back to the kind of introspective songs that have characterized much of his solo work. His singing is actually pretty remarkable considering his initial forays into vocals. He sounds confident and assured, even as the subject matter wrestles with dark thoughts and doubt. The songs tend to be fairly spare with guitar, electric piano, bass and drums with strings adding some lushness towards the end. Frusciante also uses the studio as an instrument à la Eno, adding cool treatments to nearly every song. Some of the songs are a bit mopey and the subject matter is often on the heavy end, but “Dark/Light” shifts gears nicely (dark to light?) where the heavy reverb and piano of “Dark” gives way to the cheesy rhythm box and falsetto vocals of “Light,” which leads into a nice bass-driven coda with choir. “Enough of Me” also features Johnny Marr on guitar, and one of them turns in a really nice Robert Fripp guitar solo. “One More of Me” is just strings and electric piano with Frusciante seemingly trying to sound like Stephin Merritt. Frusciante has done a nice job of carving an identity completely separate from his main gig, and Empyrean fits nicely with his other solo albums. – Sean Westergaard

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