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Southern Fried

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Southern Fried album cover
01
Shake For Me
2:44
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02
Cryin' For My Baby
2:41
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03
I'm Tore Down
2:55
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04
Don't Go No Further
2:45
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05
I'm Leavin' You
3:22
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06
It's Too Late
3:08
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07
Nadine
3:45
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08
Mystery Train
3:00
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09
My Time After Awhile
4:04
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10
I Can't Be Satisfied
3:17
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11
You'll Be Mine
2:43
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12
Riding In The Moonlight
2:30
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Album Information

Total Tracks: 12   Total Length: 36:54

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eMusic Features

0

Aretha Franklin Sings the Phone Book

By Sam Adams, eMusic Contributor

Amidst the thousands of words attached to Columbia Records 'massive overview or Aretha Franklin's five years on the label is a quote from her 2000 autobiography: "I look at my entire Columbia experience in a positive light. I wouldn't change anything." That a tepid, not-quite-double negative is the best evidence supporting evidence the set's producers can dig up says a lot about the low regard in which Franklin's pre-Atlantic period is typically held - that is,… more »

They Say All Music Guide

Southern Fried differed little from other early Hammond albums in its repertoire, consisting entirely of covers of blues and R&B songs. As usual, the Chicago sound came in for especially heavy tribute, with versions of songs by Howlin’ Wolf, Muddy Waters, and Chuck Berry, as well as a pass at “Mystery Train,” though more vocal-oriented R&B got a nod with Chuck Willis’ “It’s Too Late” and some of the other tunes. Where this might have a leg up on some other early Hammond efforts — and a leg up on blues cover albums in general — is in the stellar band, featuring Muscle Shoals stalwarts like Eddie Hinton and Roger Hawkins. Allman Brothers fans, too, will want to keep an eye out for it as it features Duane Allman playing fine lead guitar on four tracks; certainly his peeling slide guitar solo on “Shake for Me” rates among his best work as a session man. Original the album isn’t it, yet though Hammond isn’t a great vocalist or interpreter, these are indeed very solid and joyful blues-rock versions of classic ’50s-style electric blues. Horns on four of the songs add some soulful variety and spice to set this a little further apart from the ordinary blues-rock album. – Richie Unterberger

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