Quah

Rate It! Avg: 4.5 (77 ratings)
Quah album cover
Album Information

Total Tracks: 16   Total Length: 53:12

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Old man, new music...

martuccij

Downloaded this based upon the reviews...and I want to say "thankee'" to the reviewers. Sunday morning music at it's best. Relax.

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Great album, too bad there are not many like it

wprestong

We listened to this many, many times in my college dorm. Unlike a lot of the music we listened to then, I find I still like this. (That was the late 70s and my tastes have changed quite a bit.) The LP ended with "Hamar Promenade" and I don't really know the songs that are listed after it here. This record also introduced me to Rev. Gary Davis (I Am the Light of this World) and from that point I really got interested in acoustic blues.

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Incredible!

04BS

An incredible album by an incredible musician. His great lyrics, voice and unique guitar style make this an all time classic album. I have the vinyl of this in my collection from 1974 (very playable)and love it as much now as I did then. This is Jorma!

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The Good Old Days

ltlplanetmaine

I too have been blissfully transported. I was listening to NPR this morning. They've got a great Sunday morn tunes thing going on and they played Genesis...my heart raced and I thought why don't I have this in my library still? I've got the vinyl. I remember that great cover art so well. I am now listening to my newly remembered great old classic. Thank you, thank you, thank you! Hey Sandy, I still see you in the early 80s sitting on the stoop in Burlington, Vermont singing every song on this album, your favorite.

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the very definition of 5 stars

rhmayer

My favorite album of Jorma's, capturing his wonderful compositions, incredible technique, beautiful lyrics, and great voice and phrasing that fits his work so well. People talk about how music can bring you back to early memories. No album has this affect so strongly for me. A really beautiful album.

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I'll be all right now

driftways

Worth the wait - always been one of my favorites. Still have the original vinyl - worn and scratched from use. And then there was Hot Tuna.....

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I'm surprised

tal4jesus

This is really quite good. I knew that he was a cool guitarist..but I guess I didn't realize that he was such a good vocalist. Nice!

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Glorious

zoot

I hadn't heard this record in years, but listening to it after downloading not only brought back lovely memories, it also made me realize what an absolutely glorious record this is. Beautiful songs and arrangements, incredible fingerpicking, and Jorma's distinctive voice. I'd recommend a track or two, but really, any of the first seven will possibly thrill you.

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They Say All Music Guide

Quah — Jorma Kaukonen’s (guitar/vocal) solo debut effort — was recorded and issued shortly after the dissolution of Jefferson Airplane in 1974. In contrast to the sonic indulgences of Grace Slick’s Manhole or Paul Kantner and Jefferson Starship’s Blows Against the Empire, Kaukonen retreated back to his folk-blues roots along with vocalist Tom Hobson — who contributes to “Blue Prelude” and “Sweet Hawaiian Sunshine” — to create this intricate acoustic masterwork. From the highly original artwork — courtesy of Kaukonen’s then-wife Margareta — to the stark and beautiful melodies within the grooves, Quah is unlike any other recording from the era. Much of the album’s vibe is strikingly similar to the final contributions that Kaukonen made to Jefferson Airplane, the most obvious and direct correlation being “Third Week at the Chelsea,” which maintains much of the same intimacy as the tracks “Genesis,” “Flying Clouds,” and “Song for the North Star.” Likewise, his admiration for folk, blues, and gospel — which had first surfaced on the self-titled Hot Tuna debut release — informs the content of this disc on his cover of Rev. Gary Davis’ “I Am the Light of This World” as well as the haunting traditional blues “Another Man Done Gone” and Blind Boy Blake’s understatedly ribald “Police Dog Blues.” Tom Hobson’s inimitable vocal delivery stands apart from Kaukonen’s in a somewhat theatrical manner. His take on the noir torch song “Blue Prelude” could not be more dissimilar to the practically giddy “Sweet Hawaiian Sunshine.” Yet both are equally functional in the context of the rest of the album. In 1987 Relix magazine issued a very limited pressing of Quah on CD. It was not re-pressed, however, and remained near the top of want lists from enthusiasts eager to retire worn vinyl copies. This disc is a timeless and highly underrated statement from one of the world’s premier guitarists. It is worthy — if not quietly demanding — of repeated listening. [In 2003 RCA/BMG Heritage reissued Quah on CD, this time with four previously unreleased bonus tracks.] – Lindsay Planer

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