Click here to expand and collapse the player

Hello Starling

Rate It! Avg: 4.5 (236 ratings)
Hello Starling album cover
Bright Smile
You Don't Make It Easy Babe
Man Burning
Snow Is Gone
Bone Of Song
Baby That's Not All
The Bad Actress
Album Information

Total Tracks: 11   Total Length: 43:09

Find a problem with a track? Let us know.

Write a Review 5 Member Reviews

Please register before you review a release. Register

user avatar



Pay attention to Josh Ritter. I can't say I love it all, but really, how many albums are out there where you love everything. "Snow is Gone', "Baby That's Not All" and "You Don't Make It Easy Babe" shine.

user avatar



i love josh ritter--he's an incredible lyricist and songwriter in general. this is probably my favourite album of his, although it could be tied with animal years, another classic. GET THIS ALBUM it's just ridiculous how good it is

user avatar



Boring. He has good stuff that isn't on emu, but this album is just boring and slow. He's actually pretty good, but you wouldn't know it from listening to this, unless you need more music to sleep to.

user avatar



Wonderful, wonderful album. 'Baby that's not all' is one of the best songs to share with a lover. Josh Ritter is wonderful live - a man with an enormous smile.

user avatar

Good old fashioned songwriting


I have this album and The Golden Age of Radio both of which have some strong tracks on them but Hello Starling shades it for Kathleen and Snow Is Gone. Me & Jiggs is a standout on Golden Age.

They Say All Music Guide

Idaho songwriter Josh Ritter has received a lot of attention for his fine, spare songwriting and his no-frills approach to performance. As a result of his excellent debut album Golden Age of Radio, he’s become a critic’s darling all over the U.S. and a full-tilt pop star in Ireland. He’s like a lot of young people who are shining stars upon arrival, except for one thing: the proof of his staying power is on Hello Starling, his sophomore effort for Signature Sounds. Over the course of 11 new songs, Ritter reveals that not only is he not a fluke, but he seems to have arrived on the scene fully formed. He writes with the wisdom of someone twice his age, and a sense of tender, subtle humor is as important to him as is his ability to write a personality sketch or even a love song. Recorded with Curtis Mayfield’s old gear in a ramshackle French farmhouse over 14 days, Hello Starling is seemingly straight-ahead folk-rock recording that accents the more unobtrusive aspects of living in the modern world. Like Rufus Wainwright, Ritter takes the approach of being in each setting he writes about. His power of observance, not only for scenery and characters but subtle emotional states, is remarkable. He may be the guy in the story or a tree on the sidewalk, but he’s there. And while his topics would not indicate being any big deal, they are quite simply profound. “Kathleen” is the story of a young man who waits on the sidelines at a party to get the opportunity to drive a young woman home. His protagonist is full of the shy, geek-love need of a bystander who has long desired a woman who doesn’t even know he’s alive. But rather than merely ache with the unrequited love he believes he is entitled to, he summons his bravado — buoyed by a Hammond B3, ringing electric guitars, and a poetry that is as shot through with Kenneth Patchen’s last romantic ideals as it is with Mike Scott’s Celtic pop melodic sensibility — and makes his stand under the moonlight. It’s an anthem for the shy. “Man Burning” is a glimmering rocker with acoustic guitars in the forefront and the B3 careening over the lyrics. The story is about a man whose regrets are shackled to him, yet he seeks to transcend them with his passion for living and for regret. But there is also the tenderness of the poet, whose metalinguistic tome about writing (“Bone of Song”) is heartbreakingly profound in its reverence for the craft and for the altar of the thing itself. Leonard Cohen would have been proud to write this song. Ritter’s entire album can be summed up in the rocker “Snow Is Gone” when he sings “I’d rather be the one who loved than to be loved and never even know,” with the kind of worldly wisdom Guy Clark has consumed himself with seeking over 30 years. Hello Starling is a step beyond Golden Age of Radio in craft, maturity, vision, and in kindness; it’s one of the few recordings that has been released in recent years that will be being played a decade from now. Isn’t that the true test of art, even when it’s popular — its endurance? – Thom Jurek

more »