We Were Here

Rate It! Avg: 4.5 (180 ratings)
We Were Here album cover
Album Information
  • Artist: Joshua Radin (See All Albums by Joshua Radin)
  • Date Released: Apr 10, 2007

  • Genre: Alternative/Punk, Style: Alternative, Rock, Commercial Alternative, Indie Rock

  • Label: Columbia

Total Tracks: 12   Total Length: 40:52

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Amazing

eellzzss

I really love this album. I like people who suggest songs so I can get a taste of albums. My favorite are "Everything'll Be Alright (Will's Lullaby)", "These Photographs", and "only you"

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This is an edited version

SlightlySane

This version has explicit words edited out and replaced by child-friendly words (at least in Sundrenched World, maybe others). Amazon denotes that version as "In-store Play Version", but eMusic doesn't have any such notation for those who don't like songs being edited that way.

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Great fine.

flashofdarkness

This is a really great calm album. I never heard of the guy before he opened at a concert in Berlin. After that day I have seen him more and more, Grey's Anatomy really helped him out.

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Great voice, great music!

mbfchi

Ran across this one by accident and recommend it to anyone who enjoys great harmonies and intelligent lyrics. Reminds me somewhat of the purity of Art Garfunkel's music when S&G were first hitting the airwaves.

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They Say All Music Guide

Oh quick, before it goes away, let’s look at another example that shows the interconnectedness (dare we say incest?) of television and popular music: Joshua Radin, who would have never even pursued a songwriting career if it hadn’t been for his friendship with Zach Braff, star of Scrubs and introducer of the Shins to the masses. Braff put Radin’s song “Winter” on the show, a move that eventually led to a recording contract with Columbia and his debut, We Were Here, much to the excitement of thousands of female fans. Radin plays the role of the quiet, romantic, sensitive guy, obsessed with his own heart and that which surrounds it, and does it all pretty convincingly. His songs are intimate, vaguely postmodern (his frequent references to the entity of a song within the song itself) affairs about love, addressing an unnamed woman and contemplating the state of their relationship over quietly picked acoustic guitars and the occasional bowed accent. His voice is soft and airy, timid and gentle to the point of fragility (it is extremely hard to believe when he sings “I scream that I wanna be anyone but me” in “Amy’s Song” that he’s not being hyperbolic), and layered as if he were a kind of sickly, half-rate Elliott Smith. The late singer is definitely a huge influence for Radin (he’s even thanked in the liner notes), but while Smith was able convey emotion not just through his words but through his voice, Radin is so expressionless (besides the occasional breathy sigh), or at least monotonous in his expression, that even the happier pieces still sound as if they’re being sung upon his deathbed. And while he does have some good lines (“There’s a hole in my pocket that’s about her size,” “I keep your picture in my worn-through shoes”), many of his rhymes seem a little forced, almost corny (“Photographs and brightly colored paper/Are your masks you wear in this caper,” he whispers in “Closer”), which greatly takes away from the profundity he’s apparently trying to reach. Add this to the fact that the songs all have a very similar, redundant quality to them and suddenly We Were Here doesn’t distinguish itself much from any other semi-talented male singer/songwriter. Except this one is a friend of Zach Braff’s, which has clearly made all the difference. – Marisa Brown

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