Judee Sill

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Judee Sill album cover
Album Information
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  • Artist: Judee Sill (See All Albums by Judee Sill)
  • Date Released: Feb 8, 2005

  • Genre: Country/Folk, Style: Rock, Traditional Folk

  • Label: Rhino/Elektra

Total Tracks: 11   Total Length: 34:25

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Amanda Petrusich

eMusic Contributor

01.11.10
The stunning, tender debut of a martyred California folk waif
2005 | Label: Rhino/Elektra

With her tender, imperfect vocals, lank brown locks and low-slung acoustic guitar, the singer and songwriter Judee Sill embodied the earnest, folksy spirit of California's Laurel Canyon in the 1970s. Sadly, Sill also embraced the era's excesses, and her dark biography is befitting of a martyred cult idol: After running away from home as a teenager, she married an aspiring gangster, was arrested for armed robbery and hauled off to reform school, picked up a heroin habit, and hustled for cash as a petty thief. But with help from Graham Nash, David Crosby and David Geffen, Sill channeled her personal lapses — and the gospel hooks she collected in reform school — into two stunning folk records before dying of a drug overdose in 1979.

Judee Sill was released in 1971, and — unsurprisingly — it's lyrically preoccupied with grand notions of redemption and hope. "Sweet silver angels over the sea, please come down flyin' low for me," Sill begs on the impeccable "Jesus Was A Crossmaker," over building piano and eventual percussion. On opener "Crayon Angels," Sill lodges another plea for rescue: "Nothin's happened but I think it will soon, so I sit here waitin' for God and… read more »

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What a hidden treasure

d35boomer

If I had godlike powers, I would resurrect her and Nick Drake together and put them on tour together. Like musical absinthe... aaaaaah

user avatar

if it wasnb't for the blogs, how would i know jude

dougm

she's a big find of the blogs and i'm glad to find her here.

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They Say All Music Guide

Judee Sill’s debut album (as well as the debut of the Asylum label) heralded a major new talent in the airy, contemporary folk world of the early ’70s. The album employed the production skills of Sill’s ex-husband Bob Harris, as well as ex-Turtle, ex-Leaves Jim Pons, and Graham Nash (on the album’s sole single, “Jesus Was s Crossmaker”). Judee Sill featured all original compositions, many of which relied on Sill’s own brand of cosmological Christian imagery to make their point. By turns spare and lavishly orchestrated, there is still a cohesive feel to all of the album; her lyrics are exceptionally poetic (to the point of being almost flowery) and her voice is smooth enough to bear heavy overdubbing with itself, giving every song a shimmery feel. The essence of the music is folk, the execution pop: the songs feel like a comfort blanket, a statement of hope from a troubled soul. – Alex Stimmel

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