I Can Wonder What You Did With Your Day

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Album Information
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Total Tracks: 12   Total Length: 31:14

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Douglas Wolk

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Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

03.09.09
Canadian singer-songwriter keeps things raw and personal
Label: Jagjaguwar / SC Distribution

At this point, Canadian singer-songwriter Julie Doiron has made more records without Eric's Trip than she made with them. The New Brunswick indie-rock quartet only recorded four studio albums, between 1993 and 1997, and this is Doiron's eighth solo album, not counting her recent collaborations with Mount Eerie and Calm Down It's Monday. As subdued and introverted as her solo work can be, though, Eric's Trip is still very much a part of her musical identity. ET's Rick White collaborated with her on this album, and at times (like the slow-and-fluid breakdown of "Heavy Snow"), it directly recalls her old band, with its varied, expressive, occasionally blunt or crude sonics.

Doiron's clearly paid a lot of attention to shaping the sound of each of these songs — a dozen different kinds of casual rawness set off her fragile, winsome voice nicely. "The Life of Dreams" sounds like it was recorded alfresco, among chirping birds, until the nature sounds abruptly cut off partway through; "Blue" is accompanied by the sort of reverberating guitar part most musicians would try to render as cleanly as possible, but Doiron lets it sputter and scrape. And "Consolation Prize" features a screeching free-noise guitar freakout… read more »

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Julie Doiron’s 2009 album I Can Wonder What You Did with Your Day follows the same basic template as her previous album Woke Myself Up. Divided between quiet, austere ballads and gently rocking songs, the record is easily the equal of that album and has moments that rate with her best. While Woke Myself Up was a reunion of Doiron and her Eric’s Trip bandmates, this time only Rick White is involved, providing bass, keyboards, and production. Recent collaborator Fred Squire rounds out the group on drums and some guitar, and between the three musicians they craft a sparse, sweet, and intimate album. Doiron’s direct and focused lyrical style, her simple yet plaintive vocals, and her simple writing approach give the album the feel of a tender confession. The songs that stand out most are those that give the listener a boost, like the almost peppy “Consolation Prize” (though typically the bouncy hooks are matched with melancholy words), the lilting “Borrowed Minivans,” or the perfect for driving through rain-slicked city streets at night “Lovers of the World.” With a coating of fuzz and hiss, they could have been highlights on an Eric’s Trip record. Without them, they are very good indie rock songs. Good as these uptempo songs are, the songs that pack the most emotional punch are the songs where Doiron’s voice is paired with minimal musical backing. Blue’s echoing electric guitar swoops can’t cover the pain in Doiron’s vocals and words, the simple chords and deliberate tempos of “Spill Yer Lungs” provide a steady foundation for Doiron to quietly spill her guts. Many singers would try to fill the space in these songs with vocal gymnastics or tricks, but she is content to stick within the boundaries of the song and this restraint ends up being one of her strongest points. The listener is never distracted from the blunt and real-sounding nature of the words on the sad songs, alternately you never get the feeling she is faking the few happy songs like “Glad to Be Alive” or “Nice to Come Home.” The only song on the album that doesn’t work is the dirge-y “Heavy Snow,” where both the guitars and Doiron’s voice end up getting carried away and overdoing things just a touch. Otherwise, I Can Wonder What You Did with Your Day is a solid addition to the catalog of one of the best underrated singer/songwriters around. – Tim Sendra

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