It's So Hard To Tell Who's Going To Love You The Best

Rate It! Avg: 4.5 (5 ratings)
It's So Hard To Tell Who's Going To Love You The Best album cover
Album Information
  • Artist: Karen Dalton (See All Albums by Karen Dalton)
  • Date Released: Jul 10, 2006

  • Genre: Country/Folk, Style: Folk Singer-Songwriter, Traditional Folk

  • Label: CAPITOL

Total Tracks: 10   Total Length: 31:32

eMusic Features

0

Label Profile: Light in the Attic Records

By Christina Lee, eMusic Contributor

File under: Revitalized funk, folk and rock records from the States and around the world Flagship acts: Wayne McGhie & The Sounds of Joy, Karen Dalton, Rodriguez, Jim Sullivan, Shin Joong Hyun Based in: Seattle, Washington Light in the Attic founder Matt Sullivan once interned for Sub Pop, but he didn't know what he wanted to do until he studied abroad in Madrid and interned for Spanish label Munster, which alternated reissues of Suicide, Stooges and New York… more »

0

Six Degrees of Desire

By Yancey Strickler, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Some find Karen Dalton’s voice difficult to listen to, and despite the Billie Holiday comparisons, it is rougher going than Lady Day. But Dalton’s vocals aren’t that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre. Her debut album has a muted folk-rock feel reminiscent of Fred Neil’s arrangements in the mid-’60s, unsurprising since Neil’s Capitol-era producer, Nick Venet, produced this disc too, and since Dalton, a friend of Neil, covered a couple of Neil songs here (“Little Bit of Rain,” “Blues on the Ceiling”). Although clocking in at a mere ten songs, it covers a lot of ground, from Tim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song “Ribbon Bow” and the Eddie Floyd/Booker T. Jones-penned soul tune “I Love You More Than Words Can Say.” The record is interesting and well done, but would have been far more significant if it had come out five years or so earlier. By 1969 such singers were expected to write much of their own material (Dalton wrote none), and to embrace rock instrumentation less tentatively. – Richie Unterberger

more »