Promise Of Tomorrow

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Promise Of Tomorrow album cover
Album Information

Total Tracks: 10   Total Length: 47:53

eMusic Features

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The Postmodern Blues of Joe Louis Walker

By John Morthland, eMusic Contributor

Can there be any doubt that Joe Louis Walker has finally arrived? Between a Rock and the Blues, released in the fall of 2009, has earned him five Blues Music Awards nominations, more than any other artist. After a quarter-century on the national circuit, it's about time. Walker is a postmodern bluesman firmly rooted in tradition. He's absorbed postwar electric guitarists, ranging from the three Kings to the Texas-to-California school led by T-Bone Walker; he also… more »

They Say All Music Guide

From the disc’s provocative cover art, you might expect lots of muscle from the future Tonight Show music director and Jay Leno sidekick. But except for the two funk tunes, “Cullerton Street” and “Haze,” Eubanks sticks to fluid and finesse, finding both passion and elegance, but only bits and pieces of true excitement along the way. Luckily, the killer bass bounce of Kenny Davis and Eubanks’ powerful electric strings on “Cullerton Street” more than compensate for the simple moodiness of material like “Eyes of a Lost Child” and the soft breeziness of “Promise of Tomorrow.” There is a lot of good material here, such as “Angel with the Blues” and the elegant “Passage of a Prince,” but simply not much to blow you away. The cover of Duke Ellington’s “In a Sentimental Mood,” for instance, could use a little more zest. On the up side, Eubanks is a wonderful soloist, with his electric improvs on “Haze” ringing quite memorably. Drummer Gene Jackson keeps solid time, and keyboardist Edward Simon shines on numbers like “Hope.” What this collection shows is that Eubanks’ songwriting is solid but isn’t up to par with his playing. Still likable if you happen to be in that sentimental mood. – Jonathan Widran

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