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It's All True!

Rate It! Avg: 4.0 (29 ratings)
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It's All True! album cover
01
Touch Me
2:41
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02
That's the Breaks
3:01
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03
Zombie for Your Love
2:02
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04
Ramblin' Feeling
3:30
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05
Chocolate Eyes
2:12
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06
I'll Tell You When
3:22
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07
He's All Mine
2:43
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08
Speed Limit
2:22
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09
Know-It-All
2:45
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10
I Break a Heart Every Night
3:04
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11
Burning Rubber
2:58
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12
Shined Up and Ready to Shout
2:16
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Album Information

Total Tracks: 12   Total Length: 32:56

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Hot Rockabilly Mama

Lunabeat

My favorites are "I'll Tell You When" and "Touch Me". I also downloaded another scorching hot female rockabilly singer here on eMusic- Josie Kreuzer.

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Authentic

EvilWoman

If you are a fan of rockabilly, this gal is the real deal. I especially like the tracks "Touch Me" and "I Break A Heart Every Night".

They Say All Music Guide

Flame-haired keeper of the rockabilly flame Kim Lenz comes into her own on her long-awaited third album, It’s All True The sound is as vintage and pure as it’s always been, seemingly recorded into a single ribbon microphone in complete takes, with the Jaguars ripping it up behind her gutsy vocals. Guitarist Nick Curran throws some surprising touches into his fleet solos, while bassist Jake Erwin and drummer Scotty Tecce keep the songs popping and bouncing. As befits a Texas native, Lenz keeps a country twang and a Buddy Holly-esque hiccup prominent in her delivery, though she can shout the walls down with all the force of Wanda Jackson or Janis Martin. Of course, she can also slow it down and get seductive when she wants to, as demonstrated by the swinging, bluesy “I’ll Tell You When” and the country-tinged lament “I Break a Heart Every Night.” Unlike many modern rockabilly acts, she also writes the lioness’ share of her material — eight of the album’s twelve tracks are Lenz originals, including one co-written with rockabilly revival king Big Sandy. But the album’s tone is most strongly set by its opening and closing tracks, “Touch Me” and “Shined Up and Ready to Shout.” They’re fast, furious, and guaranteed to get toes tapping and dancers spinning on the floor. – Phil Freeman

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