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Waiting For You

Rate It! Avg: 4.5 (128 ratings)
Waiting For You album cover
01
Cool Out
3:00 $0.99
02
Waiting for You
3:11 $0.99
03
One Ting
4:23 $0.99
04
Earth a Killya
4:47 $0.99
05
Darlin'
3:38 $0.99
06
Meltdown
4:27 $0.99
07
I Man
4:20 $0.99
08
Blue
1:41 $0.99
09
Goodbye Girl
4:58 $0.99
10
Lost
3:23 $0.99
11
Sumtime
1:28 $0.99
12
Outta Space
5:10 $0.99
13
Miles and Miles
2:43 $0.99
Album Information

Total Tracks: 13   Total Length: 47:09

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eMusic Review 0

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Joe Muggs

eMusic Contributor

12.08.09
Capturing the various kinds of high-tech bruised romanticism represented by Hyperdub
Label: Hyperdub / The Orchard

A sadness runs through much of Hyperdub's output — a combination of urban loneliness, nostalgia for the lost fire and unity of the rave years, and a politically-charged sense of a world in chaos. Burial's albums have been the most celebrated encapsulation of this, and Darkstar's tapping into a particularly northern English melancholia has been making waves lately. But it's King Midas Sound's album which perhaps best captures the various kinds of high-tech bruised romanticism represented by Hyperdub: the none-heavier production of Kevin Martin's The Bug project sublimated into post-human dreamscapes, vast in scale in contrast to the fragile and all-too-human voices of Roger Robinson and Hitomi which gently, tentatively try to express emotion in a desolate world.

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poetic music

djmadman

makes you listen.

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Visionary !!!

Pikerock

King Midas Sound has got it in the pocket!!!

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Excellent stuff!!!

Grubenstier

Massive Attack adé, passé. This is definitely the next level up!! For an artist to be able to create something fresh and new nowadays is an absolute grandiose achievement! Take a bow King Midas! SIMPLY GET THIS!

user avatar

excellent, moody , dubwise business

dubdotdash

After the punishing sound of The Bug, Kevin Martin delivers something decidedly more laidback. The first release I heard by King Midas Sound was the single Cool Out, which opens the album. It starts with a beautiful falsetto reggae vocal, then the drums drop and suddenly its all rather menacing, but still, that sweet vocal over the top. It's an entrancing tune, and I've been hanging out for the album ever since. In interviews the band have talked about the influence Lovers Rock had on this project, and artists like Horace Andy, Gregory Isaacs and Cornell Campbell, which comes thru, especially in the vocal delivery. It's a reggae album, filtered thru the likes of Dub Syndicate, African Head Charge and Kode9. Waiting For You is a late run at being one of the best albums of the year.

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Kevin Martin is rather good

dandy7

I spent a brief period of time with Kevin Martin sometime in t 80's. This was before the day's of his noise band GOD. In those days Kevin was very much into Adrian Sherwood and the On-U Sounds groups and tried to persaud us lessor mortals that this was the future. Well it was long time coming, what with GOD then The Bug, but this is as near as damn possible the great Mr Martin is ever going to go full circle, so enjoy.

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eMusic Features

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eMusic Guide to Hyperdub Records

By Joe Muggs, eMusic Contributor

Hyperdub is a label that came very gradually into being. Existing first as a blog, then purely as an outlet for Kode 9's fearsome reductions of dubstep and grime to their barest essentials, its output was sparse until the emergence of mystery producer Burial propelled it into the wider public eye. Since then it has grown exponentially, taking on a motley crew of artists orbiting — but never quite exactly part of — the U.K.… more »

They Say All Music Guide

Inconspicuous as it was, King Midas Sound’s 2007 unveiling — on the Soul Jazz label’s first Box of Dub compilation — was a well-defined statement of purpose. A vaporous yet rugged production from Kevin Martin (Techno Animal, the Bug), “Surround Me” slithered and moaned with seductive black-hearted dread projected by poet (and Bug accomplice) Roger Robinson, a Trinidad and Tobago native whose upper-register whispers could have been recorded as his tear ducts were about to activate: “I’m with my lady, but you know it ain’t easy.” From there, KMS took an indirect route to their first album. A pair of Hyperdub singles were filled with dubs and remixes of tracks that had yet to appear in original form, and then they led off 5 Years of Hyperdub with the disarming psych-ward lovers rock of “Meltdown” (“You hear me crying out for help/Lord, I don’t need nobody else”), placed as a central track on Waiting for You, issued a few weeks later. Over half of the album’s songs are filled with Robinson’s bittersweet longing, brilliantly paired with some of Martin’s most detailed, creative, and accessible production work. The title track, a light stomp with shimmering and chiming accents, expresses longing so powerful that it paralyzes. On “One Ting,” anchored by a five-note sub-bass vamp beneath juicy thwacks and heavily reverbed SONAR-like pings, Robinson is positively stung, stuck: “I try not to give up hope/The only way for me to cope.” The slowest of these mostly slow-motion songs, the most entrancing of all, is the prowling “Goodbye Girl,” where a resigned Robinson (“Our love has hit the wall”) is joined by Hitomi, whose languorous delivery betrays livid spite: “I wish you pain ’til you can never feel joy/I wish you luck with a capital ‘F,’ boy.” Survival themes and battle rhymes are also part of the mix, with “Earth a Kill Ya” the most powerful of the album’s remainder. Robinson switches to deep-voiced dub poet over clinking and pattering percussion clusters, transmitting a pro-vegetarian ecological sermon augmented with a hypnotic refrain: “The Earth will kill you if you try to kill it/Your body heals you if you discipline it.” Words (and rhythms) by which to live. – Andy Kellman

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