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Trans Europe Express (2009 Digital Remaster)

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Trans Europe Express (2009 Digital Remaster) album cover
01
Europe Endless (2009 Digital Remaster)
9:35
$1.29
02
The Hall Of Mirrors (2009 Digital Remaster)
7:50
$1.29
03
Showroom Dummies (2009 Digital Remaster)
6:10
$1.29
04
Trans Europe Express (2009 Digital Remaster)
6:40
$1.29
05
Metal On Metal (2009 Digital Remaster)
2:12
$1.29
06
Abzug (2009 Digital Remaster)
4:53
$1.29
07
Franz Schubert (2009 Digital Remaster)
4:26
$1.29
08
Endless Endless (2009 Digital Remaster)
0:45
$1.29
Album Information
EDITOR'S PICK

Total Tracks: 8   Total Length: 42:31

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eMusic Review 0

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Barry Walters

eMusic Contributor

Award-winning critic Barry Walters is a longtime contributor to Rolling Stone, Spin, the Village Voice, and many other publications. His interview with Prince a...more »

04.10.11
The beginning of an artistic peak
2009 | Label: Astralwerks

Autobahn is split between a milestone title track and a less memorable flipside. Radio-Activity pads a knockout single (“Radioactivity”/”Antenna”) with conceptually savvy window dressing. 1977′s Trans-Europe Express, however, marks the beginning of an artistic peak that brings Kraftwerk to the dancefloor as it substantially expands the quartet’s influence. Its sumptuous textures, jagged beats and retro-futurist style would be revisited, sampled, and imitated by artists as diverse as David Bowie, Donna Summer, the Human League, Afrika Bambaataa and just about anyone who’s ever programmed a synthesizer to shake its groove thing.

Trans-Europe Express is an album about identity in which Kraftwerk situates itself between the European classical composers of the past and the future musicians of the world: The melodies are as rich and romantic as its rhythms are stark and skeletal. While its octave-jumping bassline and strict pulse links disco and marching music, the violin-like synths of “Europe Endless” reach back to 19th-century Romantics like Franz Schubert (who has a song named after him here), Franz Liszt, Richard Wagner and many others. “The Hall of Mirrors” pushes the narcissism of Romanticism to Expressionistic extremes. “The artist is living in the mirror with the echoes of himself,” Ralf Hütter declares as the… read more »

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Like many German bands of the early 1970s, Düsseldorf's Kraftwerk aimed to create a new music apart from American rock 'n' roll. Influenced by British psychedelic and progressive scenes but also by free jazz and classical avant-garde composers, Kraftwerk's initial fluctuating lineup jammed like most bands of its era, yet its efforts to disassociate itself from blues-based American forms set it in search of outer and inner space. Every astronaut needs technology, and core Kraftwerkers… more »

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