Confessin' The Blues

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Confessin' The Blues album cover
Album Information

Total Tracks: 15   Total Length: 41:02

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eMusic Guide to Chess Records

By John Morthland, eMusic Contributor

In 1947, South Side Chicago bar, nightclub and liquor store owners Phil and Leonard Chess, brothers who'd emigrated from Poland, expanded into the music business by becoming partners with Charles and Evelyn Aron in Aristocrat Records. The Chess brothers wanted to make records with the bluesmen who played their venues, and their first significant artist became Muddy Waters, who soon adapted the solo, acoustic Mississippi Delta sound he'd grown up with to electric bands more… more »

They Say All Music Guide

This release is a little confusing, coming out as it does more than a year after the release of MCA-Chess’ Little Walter rarities collection Blues with a Feeling, and two years after the double-CD anthology set that contains most of the best parts of this collection. Still, for those who can’t afford either of those pricey sets, this disc, coupled with the two best-of volumes, and the other Walter compilations, fills in some holes that are well worth filling. Made up of songs cut between 1953 and 1959 — none of which had ever appeared on LP before the original 1974 release of this collection — the selection features Walter in his prime, playing alongside Robert Lockwood, Jr. and Louis Myers or Luther Tucker on guitar (with Muddy Waters present on slide on one indispensable track, “Rock Bottom”), mostly Willie Dixon on bass, and Fred Below on the drums, with Lafayette Leake or Otis Spann on piano. His harp work was never than first rate during the era covered by this collection, and there are some top flight instrumentals featured, but the material (check out “Crazy Legs,” with its dazzling interplay between Walter on harp and Louis and Dave Myers on guitars) here also features some of Walter’s best singing, including the romantic “One More Chance with You,” the quietly raunchy “Temperature,” and “Confessin’ the Blues.” The sound, as is usual on these MCA-Chess reissues, is superb, although certain tracks, such as “I Got to Go,” seem slightly compressed. [A Japanese version released in 2004 includes bonus tracks.] – Bruce Eder

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