The Lobi Traore Group

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Album Information

Total Tracks: 10   Total Length: 54:56

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Chris Nickson

eMusic Contributor

03.26.10
African blues tunes that sweat and roar
2010 | Label: Honest Jon's Records / Finetunes

Lobi Traoré was the Rory Gallagher of Malian music. Both men died ridiculously young, both were guitarists of staggering, gifted genius, and both were vastly underappreciated in their lifetimes. This album — recorded outdoors in an abandoned yard, with everything laid down in first takes — captures Traoré at his spectacular rawest, a series of African blues tunes that sweat and roar and become springboards for his electric soloing, with his young band kicking up a riotous fuss behind him.

The riffs are true grit, loud and nagging, but it's when his fingers start flying that Traoré's special magic really shows. He's loud and fluid on "Juguya Magni," caught in an inspiration that maintains its grip for six staggering, blistering minutes. On "Koro Duga Mele Bila" and "Son Tani Gnini" he tosses the rhythm around roughly like a chew toy before jumping off into dirty, pummelling blues improvisations. Aided and abetted by a balofon (wood xylophone) player who's as manic as he is, it becomes a gleeful, soaring exchange over the bare bones of the melody. Even the nominally slow song, "Dana Mogo," builds and builds before breaking finally its banks like a river in full torrent. By the closer, "Bara… read more »

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They Say All Music Guide

Guitarist Lobi Traoré plays deep blues from his homeland in Mali, east of that other River of Song — the Niger. He is not as famous as the late Ali Farka Toure, his countryman and grand influence on much of Mali’s music (and who actually produced Traoré’s 1994 set, Bamako, named for the country’s capitol). Traoré was the guitarist on Damon Albarn’s Mali Music recording that kicked off the Honest Jons label that this recording is released on. The blurb on this boasts a BBC review that positions Traoré somewhere between Jimmy Page and John Lee Hooker. Forget it. Traoré’s guitar playing is utterly electric, gritty, funky, and knotty. His style is raw but extremely sophisticated. Check out the opener, “Jugu,” with its killer polyrhythms and Traoré’s throaty baritone spitting out the lyrics. His fills cover the breadth and depth of the rhythm section’s furious playing. The distortion has nothing to do with sound effects, man — he’s playing it at ten! The following cut, “Deni Kelen Be Koko,” feels a lot like something that should be on Fat Possum if they did a field recording in Mali. There is so much here that is steaming, tough, and wiry. This is the best blues record of early 2006 and it isn’t even a blues record. It’s hard Malian folk music gone electric, and full of the most killer singing, dancing, and yes, guitar playing out there. – Thom Jurek

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