A Life In Music Selected Sides 1925 - 1953

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A Life In Music Selected Sides 1925 - 1953 album cover
Album Information

Total Tracks: 100   Total Length: 295:33

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A masterpiece!

RevBilly88

This is an absolutely essential album. Lonnie Johnson is THE most under appreciated artist of the 20th century. I dare you to buy this album and disagree. Who else directly influenced everyone from Jimmy Page to Chet Atkins to Muddy Waters, to Django Reinhardt? There are some great low-down blues, some incredible jazz tunes, even some down-home finger pickin' here. All for under $25??? If you are the parent of a young person learning to play guitar, this is the perfect graduation present. Five stars+. There are many who say that this man and Blind Williie Johnson deserve every bit as much credit as another gentleman with that same last name.

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They Say All Music Guide

Lonnie Johnson was best-known for his tonally beautiful guitar playing, but he was also a fine singer and songwriter, and pretty adept on violin, piano, banjo, mandolin, harmonium, and bass, as well. Equally at home in the blues or the jazz world (he worked with artists as raw as Texas Alexander and as polished as Louis Armstrong and Duke Ellington), and even later, the R&B world, Johnson’s life as a professional musician began in the mid-’20s and stretched all the way into the ’60s, when his career was given an autumnal boost during the folk/blues revival. This four-disc, 100- track box from JSP Records moves chronologically through Johnson’s peak years with commercial labels, beginning with tracks like 1925’s “Falling Rain Blues,” which was cut for OKeh (with Johnson singing and playing violin), through Johnson’s gorgeous solo version of W.C. Handy’s “Careless Love,” also cut for OKeh and released in 1928. The wry and wise “Hard Times Ain’t Gone No Where” is included from his stay at Decca Records. Johnson signed to Bluebird Records a year later in 1938 and began playing an amplified guitar. Always in demand on the instrument, Johnson was also a graceful and elegant singer, and his ability to bring an emotional sincerity to blues ballads gave him a hit in 1948 with “Tomorrow Night” when he was signed to King Records. Johnson began using jazzy, horn-based R&B combos toward the end of his stay at King and with his run at Rama Records that followed, and sides like “I’m Guilty,” included on disc four here, show just how versatile this amazing musician could be. There are several single-disc releases of Lonnie Johnson’s work on the market and casual listeners may well want to start with one of those, since there is a lot of repetition here (none of the musicians from the ’20s and ’30s could have anticipated having multi-disc box sets), but as an extensive overview of Johnson’s peak commercial years, the four-disc A Life in Music is a fascinating listen., Rovi – Steve Leggett

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