|

Click here to expand and collapse the player

El Hombre de Montaña

Rate It! Avg: 3.5 (36 ratings)

We’re sorry. This album is temporarily available to members only.

El Hombre de Montaña album cover
01
El Bolsero
5:09
02
Amanecer Blanco
3:27
03
No Es Lo Mismo
5:26
04
Humo Negro Del Vaticano
5:36
05
La Espada En La Piedra
4:17
06
El Ciervo
7:40
07
El Camino De Dios
4:30
08
De Las Cenizas, El Hombre...
6:35
09
El Soldado
3:48
10
Lanza Ganado
5:37
11
Sigue, Sigue...
6:10
Album Information

Total Tracks: 11   Total Length: 58:15

Find a problem with a track? Let us know.

Write a Review 4 Member Reviews

Please register before you review a release. Register

user avatar

listen to los natas

nonstoner_stonerrocker

these two reviews that are negative about this album are way off. these two posers probably listen to wolfmother, and call them selves rockers.

user avatar

horrible

WVMMRH

a bad attempt at rock by a band that equals my 15 year old younger brother's garage band.

user avatar

Yikes!!

muzixplorer

Sorry, but this sounds like they recorded it in a high school gym...the sound AND the group.

user avatar

Los Natas are Back!

CupeVampe

I'm a Los Natas fan since a long time, I even saw them live in Italy in 2004. After a couple of experimental and very psychedelic records (Toba Trance and Munchen Sessions, both with long songs and improvisation) they are back with a "normal" record, made of 11 great songs, in the fashion of their previous records Ciudad de Brahman and Corsario Negro, also available on iTMS. This "El Hombre Montaña" is made of stonerrock/heavy psychedelic tunes, coming from some unknown desert, possibly from a different planet. Los Natas are thirsty, hungry, dirty, scorched by the sun, attached to our Mother Earth. I Love them!

Recommended Albums

They Say All Music Guide

After two albums, 1998′s Delmar and 1999′s Ciudad de Brahman, made up of competent, but seriously Kyuss-dependent stoner and space rock, Argentina’s Los Natas definitively established their own unique identity with 2002′s critically acclaimed Corsario Negro — an often stark and mostly wordless Patagonian soundtrack built on songs resembling slow-advancing glaciers, their riff-blocks as dense as Andes Mountain strata compacted by untold eons. Then, there followed Toba Trance, which essentially extrapolated those panoramic songwriting tendencies while apparently satiating the band’s interests in that creative direction. The next Los Natas album, El Hombre Montana, found them switching gears completely to embrace an astonishingly raw, loose, even ragged, brand of fuzz rock, so far removed from Corsario Negro as to be almost shocking. Yet, for the most part, it’s a source of great relief to see that Los Natas stellar compositional and musical skills still manage to carry them through the day: whether pounding their way through a predominance of high-energy numbers (“El Bolsero,” “La Espada in la Piedra,” “El Soldado,” etc.), detouring into bare-bones acoustic offerings (“El Camino de Dios,” “Sigue, Sigue…”), or trudging closer to their slow burning, doomier natural element on rare occasions (“Humo Negro del Vaticano” “De las Cenizas, El Hombre…”). If all of the above reveal any notable weakness, it has to be Sergio Ch.’s somewhat limited range of vocal expression; a weakness he’d rarely had a chance to even test on those largely instrumental recent efforts, but which here is nevertheless remedied by his laudable insistence on writing Spanish lyrics, which lend the entire album an exotic flavor. And that, along with their innate talents, maverick mindset, and fearlessness about tackling a fresh approach to songwriting, ultimately guarantee another compelling outing for Los Natas, whose fans undoubtedly realize how precious these qualities have become in the 2000s decidedly impoverished stoner rock scene. – Eduardo Rivadavia

more »