An Introduction To Ma Rainey

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Total Tracks: 20   Total Length: 60:53

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John Morthland

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John Morthland has been writing about music since the days of electronically rechanneled stereo and duophonic sound. His name has darkened the mastheads of Roll...more »

04.22.11
The Mother of the Blues proves her versatility on a sterling collection.
2006 | Label: Fuel 2000 / The Orchard

Though all her nearly-100 seminal Paramount sides (1923-28) are available at eMusic, this is surpassed only by Ma Rainey as the single best disk of The Mother of the Blues. Her booming voice could be anything from harsh to gentle, her backings anything from simple to sophisticated. She swings unflaggingly through everything from the risqué “Shave ‘Em Dry Blues” to the angry “Ma Rainey's Black Bottom” and the standard-to-be “See See Rider Blues.”

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They Say All Music Guide

Gertrude “Ma” Rainey was the consummate blues diva of the 1920s, tackling an amazing array of song styles (including blues, folk, pop, and minstrel songs) in every conceivable setting. She worked solo with guitarists and piano players and fronted jug bands, small jazz combos, and even big bands, where her strong voice (and even stronger personality) always carried the room. This collection pulls together a selection of her Paramount 78s (she recorded close to 100 sides for the label between 1923 and 1928), including her first single, the wink-in-the-eye “Bo Weavil Blues,” her signature “Shave ‘Em Dry Blues,” and two songs featuring a young Louis Armstrong on cornet, “See See Rider Blues” and “Countin’ the Blues.” Paramount was infamous for the poor manufacturing quality of its 78s, and some of these tracks exhibit a good deal of stylus wear, but enough works here to give a fair portrait of this larger-than-life performer. – Steve Leggett

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