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Macy Gray On How Life Is

Rate It! Avg: 4.5 (89 ratings)
Macy Gray On How Life Is album cover
01
Why Didn't You Call Me
3:14 $0.99
02
Do Something
4:57 $0.99
03
Caligula
4:38 $0.99
04
I Try
3:59 $1.29
05
Sex-o-matic Venus Freak
3:57 $0.99
06
I Can't Wait To Meetchu
5:18 $0.99
07
Still
4:15 $0.99
08
I've Committed Murder
4:59 $0.99
09
A Moment To Myself
4:00 $0.99
10
The Letter
5:38 $0.99
Album Information

Total Tracks: 10   Total Length: 44:55

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eMusic Review 0

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Sean Fennessey

eMusic Contributor

Director of Merchandising, emusic.com

06.30.09
An irresistible batch of sproinging nu-Stax anthems
1999 | Label: Epic

It's hard to remember Macy Gray as she was in 1999. But when the cigarettes 'n 'kerosene-voiced singer landed smack-dab at the top of the pop charts with the irresistible "I Try," she was considered retiring and charming. Oh, how the shock of fame can turn the quiet into the calculating. Gray's breakout moment wasn't just her most innocent, it was also her best. Most of On How Life Is sounds nothing like "I Try," a surgically-engineered chart demon. "Sex-O-Matic Venus Freak" and "I Can't Wait to Meetchu" are all about swing, sproinging around like nu-Stax anthems (composer extraordinaire Jon Brion plays guitar on both tracks) and "I've Committed Murder" is a reggae jaunt mixed with a dark funk groove that samples Eddie Harris 'pristine "Live Right Now." Gray is most comfortable detailing the seedy and debauched — "Caligula" peaks with the immortal "Never lovin 'but we're always f**kin'" — but it's the vulnerable "Why Didn't You Call Me" that reconciles the stumbling pop star of "I Try" with the freakish antics elsewhere. Over a full-bodied slab of wah-wah soul, she stands tall, reprimanding a lover while splaying her guts on the table. Gray splayed more with less taste in… read more »

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EMUSIC GEM

MIKROPHONE_FIEND

This is a classic album...my favorite cut is "Still".

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They Say All Music Guide

Macy Gray is such an assured, original vocalist that it’s hard to believe On How Life Is is her debut album. She recalls a number of other vocalists, particularly jazz singers like Billie Holiday and Nina Simone, but she is unquestionably from the post-hip-hop generation, which is evident not just from the sound of the record, but the style of her songwriting, which is adventurous and unpredictable. Thankfully, she’s worked with a producer (Andrew Slater, who pulled a similar trick with Fiona Apple’s debut, Tidal) that lets her run wild and helps her find sounds that match her ideas. That’s not to say that On How Life Is is a perfect album — at times, Gray attempts more than she can achieve — but it’s always captivating, even during its stumbles. And when it works, it soars higher than most contemporary R&B. – Stephen Thomas Erlewine

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