Eeviac

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Eeviac album cover
Album Information

Total Tracks: 14   Total Length: 36:46

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Don't download the last track!

flo-nominal

The track is just the credits played through a robot voice. The rest of the album is great though. Man or Astroman? started to push their sound a little further than just the double picked guitar sound of the earlier records.

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Taking them for granted?

hamtowner

Man or Astroman? has been one of my standby favorites since the early 90's. This surfer/sci fi guitar heavy band with fun samplings from B movies will definitely appeal to the nerd in all of you. After hearing this album two times through, my gut feeling is that their earlier work was better. Their guitars are getting harder and somehow more muddied, while the movie samplings at the start of songs are feeling formulaic. Still, they are infinitely fun, the kind of cd you can leave in your car stereo and have it cycle through again and again. For them, it is not about one or two great songs, it is about their entire style that keeps you listening.

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eMusic Features

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Six Degrees of The Lonely Surfer

By Andy Beta, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Coming up with one of their tightest and most listenable albums to date, Man or Astro-man? apply their hard-driving, sci-fi surf-rock to something of a concept album on EEVIAC (full title: EEVIAC: Operational Index and Reference Guide, Including Other Modern Computational Devices). The exact nature of that concept is difficult to decipher — something about an alien supercomputer and an obsession with technical jargon — but what matters more is that the group has continued to expand its sound, using more electronic effects and de-emphasizing kitschy samples in favor of their own, electronically altered vocals. There are even a few numbers that recall the punky, amphetamine-fueled guitar-pop of early British new wave; the jams — although still providing a few meandering moments — generally create fleshed-out soundscapes. One of the group’s better albums. – Steve Huey

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