New Orleans Meets Harlem, Vol. I

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EDITOR'S PICK

Total Tracks: 12   Total Length: 65:50

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Britt Robson

eMusic Contributor

Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

04.02.09
A complex, painstaking look at the musical relationship between the world's two greatest jazz cities
2009 | Label: J-Master Music / TuneCore

For his first album in eight years, Roberts takes a complex, painstaking look at the musical relationship between the world's two greatest jazz cities, New Orleans and New York. The pianist has recorded renditions of nearly all these dozen songs before — in the case of Duke Ellington's "Black and Tan Fantasy," more than once. But it's as an arranger where Roberts is his most intrepid. There's a kaleidoscopic quality to Scott Joplin's "The Entertainer," and Jelly Roll Morton's "Jungle Blues" as well as "Fantasy."

There are plenty of subtle Latin inflections too, including the rhythm groove by bassist Roland Guerin and drummer Jason Marsalis that underscores "Jitterbug Waltz." Roberts 'sophisticated harmonizing recalls Ahmad Jamal in a section (after Roberts 'gorgeous largo intro) of Joplin's "A Real Slow Drag." The crowd-pleaser of the bunch is probably "Honeysuckle Rose," featuring a pair of dazzling solos from Guerin amid the playful counterpoint. Monk is represented by "In Walked Bud" and a distinctively reflective-cum-rumbling "Ba-lue Bolivar Ba-lues-are," which leads into the lone original, "Searching For the Blues," taken first as brisk hard-bop and then wending its way through Roberts 'acute scholarship involving blues and Latin tinges.

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Disagree with jazzmine

Scruffs

Marcus Roberts is extremely talented. Unfortunately his early work, "As Serenity Approaches" is not available on emusic (listen to "Slippin' and Slidin'" for an appreciation of Roberts channelling Waller) but Roberts has a keen understanding of jazz from the ground up. His art is anything but mediocre.

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The State of Jazz

jazzmine

I remember buying Marcus' first release. He looked so smart; dressed so smart; and a slick cd cover to boot. However, his art is really mediocre, which so sadly happens to be the state of Jazz at Blue Note. these days. When some of these lions show up to play on Marian McPartland's Piano Jazz she probably thinks she should be giving them lessons rather than learning about them at times.

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