Mosaics

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Mosaics album cover
Album Information

Total Tracks: 10   Total Length: 39:16

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Just about perfect

gorke

I bought the cassette when this came out in the 1980s, and was overjoyed to not only find this on EMusic, but all the original tracks......almost. "All Is Not Lost" is truncated a bit - the harmonica solo in the bridge is cut out, leaving an abridged version. They did the same to one other song on this album, but the other tracks are unabridged. The album's lyrically strong, and Mark had such a way to emote through the simplest rock arrangements.

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A true mosaic

dougfloyd

True to its title, this album weaves images and songs into a stunning mosaic that captures the deep longing for redemption in the human soul. When this album first came out, I was in college and wrote a critical analysis of the album trying to communicate the amazing synthesis of all the songs combined. I fear it is one of Heard's most underrated albums and I tend to think it was one of his best.

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They Say All Music Guide

While 1984′s Ashes and Light was Mark Heard’s acoustic crowning achievement to date, Mosaics was the most consistent of his rock-oriented recordings. Unfortunately, his gift for creating intelligent lyrics and coupling them with irresistible melodies never caught on with radio programmers or the record-buying public. His lyric from a 1981 song “Stuck in the Middle” sums up the response he received upon the release of Mosaics: “I’m too sacred for the sinners and the saints wish I would leave.” His faith-infused lyrics weren’t direct enough for the Christian music industry (who released his material) and the mainstream market was never quite comfortable with Heard’s acknowledgment of faith, so this fine recording met an unwarranted death shortly after its release. With a voice, career, and circle of acquaintances that seems to parallel T-Bone Burnett’s, it’s only natural that he should cover a Burnett tune. From 1980′s Truth Decay, Heard borrows one of Burnett’s acoustic classics, “The Power of Love,” increasing the tempo and adding a Jerry Donahue-like, string-bending electric guitar line and presto! it fits in perfectly amid the remaining Heard songs both thematically and musically. – Dave Sleger

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