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Ladyfingers

Rate It! Avg: 4.5 (6 ratings)
Ladyfingers album cover
01
Virginia Bound
3:37 $0.99
02
Ladyfingers
2:13 $0.99
03
Some Cold Rainy Day
3:43 $0.99
04
Baby Please Don't Go - Green Onions
4:04 $0.99
05
Bluesette
3:10 $0.99
06
Gong Down Slow
3:18 $0.99
07
Run Sinner Run
4:27 $0.99
08
Can't Afford To Lose My Man
2:42 $0.99
09
Monkeys on a Binge
3:14 $0.99
10
I Almost Lost My Mind
4:52 $0.99
11
Yes Sire That's My Baby - I'll See You In My Dreams - Darktown Strutters Ball
4:10 $0.99
12
Song for Samantha
2:25 $0.99
Album Information

Total Tracks: 12   Total Length: 41:55

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Mary can truely sing the blues!

musicloverforlife

Have a great time listening to Mary Flower's sing the blues. Her arrangements are terrific-an accomplished blues style (Mississippi John Hurt style)guitarist and vocals display a wonderful clarity. I love the variety of song selections. Listen to tract 11-wow!!!

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They Say All Music Guide

Unassuming blues heroine Mary Flowers proves once again that she’s one of the nation’s premier fingerstyle blues guitarists on Lady Fingers. More importantly, she’s made a beautifully eclectic and listenable record, which can’t be said of many traditionalist outings. Though primarily a purveyor of the Piedmont blues (the Delta tradition’s brighter, syncopated cousin), Flower takes flight on this record, not limiting herself to scholarly ragtime reproductions. One moment, she’s getting low-down and dirty on an imaginative medley of Big Joe William’s “Baby, Please Don’t Go” and Booker T. Jones’ “Green Onions.” The next, she’s delivering a torchy rendition of Toots Thielemans’ jazz classic “Bluesette,” followed by a country spiritual and two thoughtful original instrumentals, showing off her heavyweight chops. Memphis Minnie, Jimmie Oden, and Ivory Joe Hunter also get their due. Flower’s version of Hunter’s “I Almost Lost My Mind” is priceless, featuring harmony from Mollie O’Brien. Thoughtful accompaniment by Pat Donohue (guitar), John Magnie (accordion), and Mark Diamond (string bass) really adds to the session. Flower’s technique is exceptional throughout and, in the end, serves the highest purpose — the music. – William Meyer

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