Best Of Master P

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Best Of Master P album cover
Album Information
EXPLICIT
  • Artist: Master P (See All Albums by Master P)
  • Date Released: Oct 4, 2005

  • Genre: Hip-Hop/R&B, Style: Hip-Hop, Rap

  • Label: NO LIMIT

Total Tracks: 18   Total Length: 78:32

eMusic Features

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Lords of the Underground: A Guide to Underground Hip-Hop

By Hua Hsu, eMusic Contributor

"Underground" is one of those tantalizingly vague terms that's always on the verge of obsolescence until some mouthy, hungry new rapper comes along and reanimates it. Whether it was being dismissed as a fad, derided as a menace to society or ascending the pop charts, there's always been a distinct way in which hip-hop has represented its underground ethos — the long-repressed reality straight from America's cities on one hand, or a new set of… more »

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Active Child Talks Classic Hip-Hop

By Hua Hsu, eMusic Contributor

With his strident falsetto and taste for grandiose, imposing production, it is easy to hear the influence of Pat Grossi's training as a choir singer on his debut album, You Are All I See. What might be less obvious is the influence of 1990s hip-hop, a moment Grossi witnessed firsthand as the son of Priority Records' Vice President of Sales. "(My dad) was the one who was somewhat wheeling and dealing the albums out," Grossi… more »

They Say All Music Guide

You’d have to be a die-hard No Limit soldier of the highest degree to deny that Master P’s output has been spotty. He’s mainly a singles artist with the occasional satisfying album, a man who seems more concerned with flooding the market as much as he can, as quickly as he can, and with as many side projects as possible. That’s why his well-chosen Best Of is a desirable addition to his overstuffed catalog, saving CD buyers from emptying their wallets to catch the one or two — sometimes three — ghetto classics from his full-lengths. The early, West Coast years are missing as is everything post-2000, but it’s just as well because what’s represented here is his golden age, and if there were anything else added, the collection wouldn’t sound as tight as it does. From signature tracks like “Bout It, Bout It II” and “Make ‘Em Say Ugh” to numbers that never quite crawled out of the hood, Best Of keeps things moving by sequencing the tracks in a way that makes sense. Bangers are upfront while four melancholy tracks close the affair, bringing the listener down from all the sleazy thug music. A couple memorable tracks are missing (the great “Weed & Money” for example) but not enough that it harms this overview. The most beautiful thing about the collection is that a Master P newcomer could listen to this in total, think of P as top-notch, and be totally befuddled by his weak reputation. – David Jeffries

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