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One Down

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One Down album cover
01
Take A Chance
Artist: Bill Laswell/Material
4:33 $0.99
02
I'm The One
Artist: Bill Laswell/Material
5:27 $0.99
03
Time Out
Artist: Bill Laswell/Material
4:54 $0.99
04
Let Me Have It All
Artist: Bill Laswell/Material
5:24 $0.99
05
Come Down
Artist: Bill Laswell/Material
4:45 $0.99
06
Holding On
Artist: Bill Laswell/Material
4:41 $0.99
07
Memories
Artist: Bill Laswell/Material
4:01 $0.99
08
Don't Lose Control
Artist: Bill Laswell/Material
4:18 $0.99
09
Busting Out
Artist: Bill Laswell/Material
8:01 $0.99
Album Information

Total Tracks: 9   Total Length: 46:04

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eMusic Features

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Six Degrees of Whitney Houston’s Whitney

By Hua Hsu, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

One Down marked a distinct shift in sound for Material, the avant-garde downtown pickup group organized around bassist Bill Laswell and keyboardist Michael Beinhorn. The edgy experimentalism that characterized earlier efforts like Temporary Music and Memory Serves is downplayed here in favor of funk and disco tunes delivered with a minimum of weirdness. Sure, it sounds dated but that doesn’t make it less attractive. Laswell is a master of funk bass, and with guests like drummer Yogi Horton, guitarist Nile Rodgers and singers Nona Hendryx and Whitney Houston (just before she became a superstar on her own), he didn’t really have much chance to go wrong. Highlights include”Take a Chance” and the strutting “I’m the One”; if you want something a little more challenging, check out Archie Shepp’s squalling sax solo on the Houston vehicle “Memories.” This is straight-ahead turn-of-the-80s funk at its old-fashioned best from the folks you’d have least suspected of harboring such sympathies. – Rick Anderson

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