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Award Winning Drummer

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01
Tuba de Nod
4:03
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02
Milano
5:16
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03
Variations on the Scene
5:44
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04
Pies of Quincy
3:25
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05
Old Folks
4:22
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06
Sadiga
6:38
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07
Gandolfo's Bounce
5:48
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08
Milano (Alternative Version)
6:35
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09
Old Folks (Alternative Version)
4:33
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10
Gandolfo's Bounce (Alternative Version)
6:11
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Album Information

Total Tracks: 10   Total Length: 52:35

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eMusic Features

1

Six Degrees of Duke Ellington’s Money Jungle

By Kevin Whitehead, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

Six Degrees of Duke Ellington’s Money Jungle

By Kevin Whitehead, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

House Party Starting: Playing Herbie Nichols

By Kevin Whitehead, Contributor

Ask a jazz fan about Herbie Nichols, and the reaction is likely to be either, "He's a genius," or "Who?" The pianist and composer is the paradigm of a genius neglected in his own time. Nichols's classic mid-'50s sides for Blue Note were all but forgotten when he passed at 44 in 1963. A.B. Spellman memorialized him with a chapter in 1966's Four Lives in the Be-Bop Business, but he didn't get much respect till… more »

They Say All Music Guide

A good ’59 session on the Bainbridge label, with drummer Max Roach leading his late ’50s band through some stirring numbers. The group included tenor saxophonist George Coleman and trumpeter Booker Little, and was among the finest hard bop ensembles around. – Ron Wynn