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Oblivion: Music of Piazzolla and Nin

Rate It! Avg: 4.5 (18 ratings)
Oblivion: Music of Piazzolla and Nin album cover
01
Oblivion (Piazzolla)
3:27 $0.99
02
Chants d'Espange: Montaqesa
2:23 $0.99
03
Tonada Murciana
1:35 $0.99
04
Saeta
2:45 $0.99
05
Grandina
2:06 $0.99
06
Adiss Nonino (Piazzolla)
9:23 $0.99
07
Cuatro Comentarios: Sobre un tema de Josi Bassa
2:46 $0.99
08
Sobre un tema de Rafael Anglis
3:10 $0.99
09
Sobre un tema lmrico de Pable Esteve
2:51 $0.99
10
Sobre un aire de danze Pable Esteve
2:10 $0.99
11
Le Grand Tango (Piazzolla)
10:45
12
Suite Espagnole: Vieja castilla
2:10 $0.99
13
Murciana
1:38 $0.99
14
Asturiana
3:06 $0.99
15
Andaluza
1:57 $0.99
16
La Mufa (Piazzolla)
5:21 $0.99
17
Ave Maria (Piazzolla)
4:31 $0.99
Album Information

Total Tracks: 17   Total Length: 62:04

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Beautiful

EricLiftin

Beiser plays it big and finds simultaneously the old-time and modern resonances of the works. The beginning with "Oblivion" is fantastic, drawing you right in.

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Ignore the Adam Greenberg review...

Jan Erik

... it's not refering to this recording, which is only performed on piano and cello, and beautyfully so.

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Track listing with composers

empretorius

1. Oblivion (Astor Piazzolla) 2-5. Chants d'Espagne (Joaquin Nin) 6. Adios Nonino (Piazzolla) 7-10. Cuatro Comentarios (Nin) 11. Le Grand Tango (Piazzolla) 12-15. Suite Espagnole (Nin) 16. La Mufa (Piazzolla) 17. Ave Maria (Piazzolla)

Recommended Albums

They Say All Music Guide

A slightly older release from Astor Piazzolla on the old Atoll label. A number of tracks feature Jose Angel Trelles singing, along with the band that Piazzolla had put together. The tangos are, as always, perfection (this is what Piazzolla did, and he did it very well). There are some relative rarities here, such as “Jeanne Y Paul” and “Olhos de Resaca.” among others. The orchestration can become a bit too dense from time to time (such as on “Oblivion 2″), but the craftsmanship is still generally superb. In general, this album contains works that are somewhat denser than Piazzolla’s usually sparse style, and perhaps at a lower tempo than much of his work. The vocal work by Trelles is reminiscent in ways of Horacio Ferrer’s work in the Maria de Buenos Aires opera (and indeed, a few of the songs Trelles sings are from the opera), and in many ways simply similar to a flamenco singer. The album is perhaps more rare than much of Piazzolla’s work, which has in large part been re-released, but it may be worth the effort to find for a collector. For newcomers, a multitude of other albums would stand in rather better as an introduction. – Adam Greenberg

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