A Thousand Heys

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Album Information

Total Tracks: 13   Total Length: 31:55

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Bob Small

eMusic Contributor

04.11.11
Nervous, loud and surging with energy
2011 | Label: FatCat Records / SC Distribution

The British quartet Mazes echoes the American band The Apples in Stereo, who, in turn, echo the Beach Boys. Not a bad chain of reference points — each group noisier than the next, each more jittery and primitive. And while Mazes does have a song called "Summer Hits," the band's debut album sounds less like Brian Wilson's sunny "teenage symphonies to God" and more like music made by actual teenagers. The songs here are nervous and loud, and surge with energy. (Most tunes are less than three minutes long. Several are less than two, and pretty much all of them seem to have been written in the amount of time they take to play.) Deviation from this formula (as on "Wait Anyway," a relatively epic 3:43) goes south fast, turning power-pop into sludge. This band is at its best when it's unselfconscious enough to just barrel ahead. The drums on opening track "Go Betweens," for instance, sound like an angry neighbor pounding on the apartment wall to get the band rehearsing on the other side to knock it off already. But they're having too much fun to notice the complaint — or to care even if they did.

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Not to be confused with the 1900s’ side project from Chicago, London’s Mazes incorporate the brash swiftness of ‘70s punk, the garagey jangle pop melodies of ‘80s college rock, and the sly, slacker attitude of ‘90s indie rock in their music. However, the trick is that they manage to do so without sounding overly derivative. There are definite similarities to the often compared bands Pavement and the Buzzcocks, but Mazes have such an all-encompassing style that they’re hard to pigeonhole. Perhaps it’s because Jack Cooper, Neil Robinson, Jarin Tabata, and Conan Roberts concentrate on the age-old formula: heartfelt songs with big melodies and introspective, witty lyrics. The singles “’Til I’m Dead” and “Summer Hits or J+J Don’t Like” feature simple hooks that are so sunny and classically hummable that a blanket term like power pop totally fits. Certainly, there are inherent lo-fi aspects as well — a gritty texture, distorted vocals, and a loose, ramshackle home-recording aesthetic — but Mazes’ debut, A Thousand Heys, is cleaner, easier, and more melody-driven than most releases on, say, In the Red or Dirtnap Records. – Jason Lymangrover

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