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Desire Lines

Rate It! Avg: 4.0 (23 ratings)
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Desire Lines album cover
01
Kunst Or Ars
5:10
$0.49
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02
Desire Lines
6:27
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03
Andromeda (Prelude To The Future)
4:34
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04
1-800-288-Slam
5:15
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05
Collective Fetish
7:48
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06
Lasaron Highway
7:46
$0.49
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07
Bugges Room
7:13
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Album Information

Total Tracks: 7   Total Length: 44:13

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desire lines

Crustyoldguy

Bugges Room is such a marvelous song you should buy the album just for it, but the rest of the songs are nearly its equal. What a great album! Too bad they Idjut Boys and Rune Lindbaeck have not collaborated since this one.

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Forget the Categories

Muse8

This is just beautiful, hypnotic, warm, organic, music.

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Never Mind The Balearics

wattsup

Meanderthals is a collaboration between London disco-not-disco veterans the Idjut Boys and Rune Lindbaek and apparently is blend of dub, folk, prog, kraut, psychedelia and 70s west-coast...

They Say All Music Guide

Desire lines are undesignated paths created by foot-traffic erosion simply because they’re where people want to go. Desire Lines walks — strolls, ambles, struts (occasionally), and yes, meanders — down well-trodden and welcoming musical trailways, toward no destination in particular, just for the simple pleasures of the journey. The routes are familiar and instinctually inviting, even if the signage is vague and imprecise: dub, psychedelic, downtempo, ambient, post-rock, folk, with occasional spur trails pointed toward the Tropics, or the discotheque, or into outer space. (Because Meanderthals are a triumvirate of dance producers, the road map reads “electronica,” even if most of the sounds come from instruments being played in a room — an Oslo studio to be specific — during a handful of loosely convened live recording sessions.) The clearest, newest-looking signpost is marked “Balearic Disco,” and indeed, mirrored shards of diasporic disco fallout are littered liberally along the way, though rarely are they spiky enough to spur feet into action. Mostly we glide by, basking in the sun-drenched acoustic strums and steel-pan patters of “Kunst or Ars,” wallowing in the murky bass and intoxicating haze of “1-800-288-Slam,” lingering amid the languid pulse and pianistic ruminations of “Bugges of Room.” Fussless and fluid, loose but never lazy, Desire Lines is another fine feather in the caps of Rune Lindbaek and Idjut Boys, who now take their place alongside fellow travelers Studio, Hatchback, and Quiet Village as creators of some of the finest, hippest, and coolest chillout music of the late 2000s. – K. Ross Hoffman

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