Singles 1-12

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Singles 1-12 album cover
Album Information
EDITOR'S PICK

Total Tracks: 24   Total Length: 92:29

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Joe Gross

eMusic Contributor

Joe Gross hails from Falls Church, VA, one of the Chocolate City's most vanilla suburbs. He has written for Spin, Rolling Stone, the Village Voice, the Washingt...more »

04.22.11
The sludge juggernaut gets a year-long showcase.
2005 | Label: Amphetamine Reptile / The Orchard

The Melvins preceded and post-date the Amphetamine Reptile label that this appears on; they're a sludge juggernaut machine that just keeps grinding. This is a collection of a year's worth of limited-edition singles, featuring weird mixes of major label tunes, killer covers (the Germs '"Lexicon Devil" kicks it off) genre exercises (the excellent "In the Rain" goes for the Oasis crowd) and general messing around. A terrific intro to the whole Melvins thing, which will be here long after we're all gone.

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Hard to find Great B-Sides!

nandoknack

yeah, this collects those impossible to find singles on two discs! great stuff! my favorite is POISON w/ Wayne Kramer!

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Hard To Find B-Sides

Queef

If you can't get enough of these master craftsmen, then this would save you the laborious effort of tracking down all those out-of-print singles.

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They Say All Music Guide

In 1996, the Melvins and Amphetamine Reptile delivered one 7″ single every month of the year in quantities limited to 800 worldwide. AmRep handily compiled all 24 sides on the two-CD set Singles 1-12, which was of likewise limited release. The package features alternate mixes (like the intentionally obtuse versions of songs they submitted to Atlantic Records); some swell cover tunes (they manage to speed up the already hardcore “Lexicon Devil” by early Hollywood punks the Germs and slow down the at-a-snails pace “Way of the World” by slowcore pioneers Flipper); live improvisational endurance tests performed by these perennial openers in reaction to playing in front of crowds who could care less about them; plus assorted outtakes, one-offs, and other tomfoolery (their smirking take on Brit-pop, “In the Rain,” is ironically catchy). Necessary material for fanatics and collectors, Singles 1-12 betrays not only the Melvins’ metal/punk roots, but their ability to be both frightening and hilarious. – Bart Bealmear

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