Business As Usual

Rate It! Avg: 4.0 (111 ratings)
Business As Usual album cover
Album Information

Total Tracks: 14   Total Length: 52:23

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Great Music

dko2444

I had to download this album because my audio cassette is too worn out to reliably record to Audacity.

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Great Album

Spear27

One of my favorite albums of all time.I wore out three cassette tapes of this album. Lead singer Colin Hay is still writing and singing great music.

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Excellent Album

Aeschulus

These guys essentially came together to make a super album and then split apart almost as suddenly. But in its wake is a very listenable album - you know Who Can It Be Now and Land Down Under - listen to the rest of it - all the way to "Down By the Sea" - which, like a similarly themed Led Zeppelin song, really hits the mood. Must get!

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See past "Down Under"

mrread25

Of course you know Down Under but this debut album explains why they were signed from half a world away. Very listenable, seamless album. I know it is a winner.

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They Say All Music Guide

It took Sony Music 22 years to upgrade Men at Work’s Business as Usual, but at least they got it right — one of the biggest-selling LPs of the 1980s, it was never better than an average sounding CD until this 2003 reissue, which not only offered significantly upgraded sound but four bonus tracks as well, extending its running time to over 50 minutes. From the in-your-face drums opening “Who Can It Be Now?,” this CD is worth the purchase for the upgrade — you can almost hear the action on Colin Hay’s crunchy rhythm guitar and Ron Strykert’s chiming lead, and Greg Ham’s sax is blowing right out of the bell, and when the chorus comes up at the end….it feels like a live performance. The same goes for everything else here — the guitar interaction and the cymbal crashes on the break and finale from “Down Under,” the romping sax and bass that open “Underground,” and the shimmer-into-slash opening on “Be Good Johnny.” The bonus cuts include one non-LP B-side, “Crazy,” and a non-U.S. single track, “F-19,” that are both worthwhile as showcases of the original band’s range, while sandwiched between them are a pair of live tracks, “Who Can It Be Now?” and “Underground,” from the latter-day band’s 1996 live album from Brazil — they’re extended versions of each and most enjoyable, and speak volumes about the credibility of that recent edition of Men at Work. The annotation is also very thorough, and the entire release is essential listening. – Bruce Eder

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