War on Sound

Rate It! Avg: 4.0 (33 ratings)
War on Sound album cover
Album Information

Total Tracks: 8   Total Length: 41:17

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Makes me miss The Orange Billboard

zg

I hate to be the voice of decent here but this feels like their least creative album to date to me. I had to review their website to make sure the line-up hadn't changed. I'll give it more listens based on the strength of all their previous work. Ola definitely dominates this album and Carina sounds less distinctive then on previous albums.

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moonshine

musicmoggy

Slightly more adventurous than Orange Billboard but with the Moonbabies pop gloss signature written right through, like a candy stick. Even the Pink Floyd cover (track #5) gleams with their distinctive bouncy vocal. This 8 track mini-album, includes three cover tracks and a retake from Billboard. Yet our favorite Swedish duo have not been slacking – a full size album is reported to be in the making. This is just a warm-up. And yes, I did mean three covers. An instrumental version of the Velvet Underground’s [i]Sweet Jane[/i] hides under the title of [i]Don’t Shoot the Ranger[/i]. That final track of 11 mins 49 secs includes 4:30 of silence ending with a live 'hidden' recording. I'll be using the mp3 splitter .exe on that one!

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Wonderful Eclectic Mood

zetacon4rvw

This album has a wonderful mix of styles from the sixties. Whimsy, electronic mogg, slow dance and folk all rolled up with great effects. Very Easy on the ears.

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They Say All Music Guide

Are Moonbabies at the head of an underground Midnight Oil appreciation league? On War on Sound — their post-Orange Billboard mini-album — Ola Frick and Carina Johansson perfect the grace of Blue Sky Mining’s “Stars of Warburton.” They linger tenderly on its urgent chorus lyric, and tune down considerably the Peter Garrett self-righteousness. “Don’t wanna talk about Elvis Presley/Don’t wanna see his white shoes walking around” — the punchy drum loop and tumbling acoustic guitars are pretty Sparklehorse’ing great, too. “Warburton” isn’t the only cover version here — Pink Floyd’s “Arnold Layne” drifts between a stoned Blur and the haze of some faraway galaxy. Elsewhere, War on Sound offers an alternate version of Orange Billboard’s title track, as well as five songs unique to this set. “Perfect Passenger” and “Don’t Shoot the Ranger” are instrumentals; they seem a little like sketches, but that’s okay for a tide-you-over record. Meanwhile, the intimate “Minor Earthquake” is a standout — just Johansson musing plaintively over the piano — and the opening title track is War on Sound’s most fully realized moment. It’s another strong effort from this underappreciated Swedish duo, who keep clearing pathways between indie pop and places without a postcard. – Johnny Loftus

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