Ace Of Spades

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Ace Of Spades album cover
Album Information

Total Tracks: 15   Total Length: 45:00

eMusic Features

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Light in the Attic Radio

By Light in the Attic, eMusic Contributor

Light in the Attic founder Matt Sullivan once interned for Sub Pop, but he didn't know what he wanted to do until he studied abroad in Madrid and interned for U.K. label Munster, which alternated reissues of Suicide, Stooges and New York Dolls records with selections from the vast history of Spanish rock and punk. Light in the Attic follows that template, releasing high-quality reissues alongside a few contemporary releases (The Black Angels, the Winter's Bone… more »

They Say All Music Guide

With the 1980 release of Ace of Spaces, Motörhead had their anthem of anthems — that is, the title track — the one trademark song that would summarize everything that made this early incarnation of the band so legendary, a song that would be blasted by legions of metalheads for generations on end. It’s a legendary song, for sure, all two minutes and 49 bracing seconds of it. And the album of the same name is legendary as well, among Motörhead’s all-time best, often considered their single best, in fact, along with Overkill. Ace of Spades was Motörhead’s third great album in a row, following the 1979 releases of Overkill and Bomber, respectively. Those two albums have a lot in common with Ace of Spaces. The classic lineup — Lemmy (bass and vocals), “Fast” Eddie Clarke (guitar), and “Philthy Animal” Taylor (drums) — is still in place and sounding as alive and crazed as ever. The album is still rock-solid, boasting several superlative standouts. Actually, besides the especially high number of standouts on Ace of Spades — at least relative to Bomber, which wasn’t quite as strong overall as Overkill had been — the only key difference between this 1980 album and its two 1979 predecessors is the producer, in this case Vic Maile. The result of his work isn’t all that different from that of Jimmy Miller, the longtime Rolling Stones producer who had worked on Overkill and Bomber, but it’s enough to give Ace of Spaces a feeling distinct from its two very similar-sounding predecessors. This singular sound (still loud and in your face, rest assured), along with the exceptionally strong songwriting and the legendary stature of the title track, makes Ace of Spades the ideal Motörhead album if one were to choose one and only one studio album. It’s highly debatable whether Ace of Spaces is tops over the breakthrough Overkill, as the latter is more landmark because of its earlier release, and is somewhat rougher around the edges, too. Either way, Ace of Spades rightly deserves its legacy as a classic. There’s no debating that. [The various single-disc reissues of Ace of Spades append a B-side ("Dirty Love") and two songs from the St. Valentines Day Massacre EP ("Please Don't Touch" and "Emergency").] – Jason Birchmeier

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