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- Date Released: January 1, 2006
- Genre: Electronic
- Label: ASound / !K7 Records
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We Say...
One of the odder stories of mid-'00s pop is that of Erlend Øye, one-half of Norwegian indie-pop duo the Kings of Convenience. Where that duo made its name aping Simon & Garfunkel and Belle & Sebastian, Øye shifted left in 2004, creating one of the most acclaimed mix-CDs in K7's acclaimed DJ-Kicks series, which draped moody beats in a cardigan sweater. In 2003, the same year Øye released a solo album, he formed the Whitest Boy Alive as a dance-music project in a similar vein to the DJ-Kicks compilation, but by the time Dreams appeared in September, 2006, it was an all-live four-piece pop-rock unit, also featuring Marcin Oz (bass), Sebastian Maschat (drums) and Daniel Nentwig (keyboards).
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They Say...
The Whitest Boy Alive no doubt intend their moniker facetiously, if not a bit self-mockingly, but it's a useful cue in pinpointing their music, which does in fact display many qualities frequently associated with whiteness. Fortunately, unfunkiness is not primary among them. Splitting the unlikely but not insurmountable distance between the hushed acoustic folk-pop of Kings of Convenience, Erlend Øye's previous main concern, and the stylish electronic dance-pop of his solo work, TWBA set their sights on gently grooving indie rock/pop, achieved through essentially non-electronic means (guitar, bass, drums, and the occasional electric piano.) Their grooves may not be particularly soulful, but they're toe-tapping enough, and very smartly performed, with an interlocking crispness that recalls Phoenix or perhaps a much less twitchy version of early Talking Heads. That smoothness and precision -- in rhythmic execution, instrumental tone, lyrical diction, and overall sound -- is, for better or worse, Dreams' most notable feature. Call it sonic purity and aesthetic clarity, or call it smarmy slickness and stuffy sterility; it's a pretty white sound either way you take it. But however polite or uptight it may be, pop music floats or fails on the strength of the songs, which in this case are frustratingly hit or miss. There are a handful of winners here -- the peppy kick-off "Burning," the jumpy quasi-dance-punk of "Fireworks,"the brooding "Done with You" and the sweet, hesitantly self-affirming "Don't Give Up" -- and they are gleaming. Too much of the remainder of the album, though, lags in too-similar, blandly vanilla territory; less white hot than white bread.
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| 01. |  |
Burning |
3:11 |
|
| 02. | |
Golden Cage |
4:02 |
|
| 03. | |
Fireworks |
3:12 |
|
| 04. | |
Done With You |
5:24 |
|
| 05. | |
Don't Give Up |
5:55 |
|
| 06. | |
Above You |
3:14 |
|
| 07. | |
Inflation |
3:49 |
|
| 08. | |
Figures |
3:57 |
|
| 09. | |
Borders |
5:30 |
|
| 10. | |
All Ears |
3:19 |
|
10 Total Tracks, 41:33 Total Length
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Credits
- George McFetridge - Artwork // Bo Kondren - Mastering // Erlend Øye - Guitar // Erlend Øye - Vocals // Dana Toncrová - Vocals // Sebastian Maschat - Drums // Daniel Nentwig - Engineer // Daniel Nentwig - Fender Rhodes // Norman Nitsche - Mixing // Marcin Öz - Bass // Marcin Öz - Vocals // Marcin Öz - Engineer
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