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Santogold

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Santogold

 
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Santogold
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Avg: 4.0 (1370 ratings)

Shapeshifting pop music, beguiling and mysterious.

  • We Say...

    Review by Andy Battaglia

    Santogold has a storied industry pedigree — she worked in A&R for a major label; helped write and produce an ambitious pop soul album by Res; and sang (as a no-name, no less) on a big collection of covers by Mark Ronson — but the savviest of her many charms is the way she sounds a bit strange, clumsy and even awkward on her solo debut. That’s not a knock against her; it just goes to show how much Santogold changes shape and how little she can be sized up as an obvious heir to M.I.A. Certainly songs like “Creator” pick up on M.I.A.’s beloved stomp-and-toast vocals and polyglot sci-fi world sound, but just as much of Santogold swings at hooky reggae, gothy balladry and even snappy indie-rock.

    “L.E.S. Artistes” makes the moody range known from the start, with smeared guitars and vocal moves straight out of mid-tempo Yeah Yeah Yeahs before “You’ll Find a Way” wanders into sharp, sawing reggae of the kind reconfigured by the Clash. That’s just in the span of two songs, and swerves of the sort are standard. Graced by the odder quirks of Santogold’s nasal voice, “Say Aha” suggests M.I.A. fronting a gypsy-rock band like Gogol Bordello. Which, of course, has nothing to do with the affecting Siouxsie & the Banshees-like sulk of “My Superman” or the homey indie-rock crunch of “Lights Out.”

    Or does it? The one main drawback of Santogold is how little it communicates a clear sense of identity that might be carried over into a career. But then, it does an awfully good job of making the question of what comes next a fun one to mull.

  • They Say...

    Review by Marisa Brown, All Music Guide

    Santogold, the collaboration between Santi White and former Stiffed bandmate John Hill, first began receiving notice in late 2007, thanks mostly to the release of the single "Creator," which seemed to point White in the direction of an M.I.A. knockoff. The debut full-length, however, shows Santogold to be a unique group, one that pulls equally from dub, pop-punk, hip-hop, electro, and rock without succumbing to the archetypes of any. Much of this is because of the contributions from Hill, who adds plenty of guitars and warm keyboards, encouraging White to fill out the songs, the verses, and the hooks, with her rich Gwen Stefani-meets-Janelle Monáe voice. "I'm a Lady," despite the fact it could belong in the late-'90s pop canon, is delightfully catchy and inviting; "L.E.S. Artistes" sounds like a fuller, brighter Tegan and Sara song; and "My Superman" is the urban 21st century's version of a sultry jazz standard. In fact, Hill is so instrumental in creating the diversity and lushness of sound that the pieces in which he doesn't contribute, or contributes very little, are markedly different. Switch, the producer responsible for M.I.A.'s Kala, shows off his impressive beat-making skills on "Creator," which features White doing the singsongy rap that has helped make Maya Arulpragasam so popular ("Me, I'm a creator, thrill is to make it up/The rules I break got me a place up on the radar"), and the Diplo-helmed "Unstoppable" marries dub and Hollertronix electronica nicely. These are the exceptions to the overall sound, however (and their very rarity makes them so much more appealing, and evidence of the work of a complete artist, not one trying to follow the coattails of another), because most of Santogold lacks that jagged angularity that drives M.I.A.'s records. Instead, the album is informed by pop and good humor, the importance of melody and structure never overshadowed by rhythm and dancefloor-worthiness. This is music that looks outward at the pan-continental landscape while staying firmly adherent to and respectful of its deeply American roots; it's the emerging -- and hopeful -- face of the new millennium, and an altogether shining accomplishment.

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