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¿Como Te Llama?

by

Albert Hammond Jr

 
¿Como Te Llama?
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Avg: 3.5 (28 ratings)

The Strokes' rhythm guitarist fills his downtime crafting quality pop tunes.

  • We Say...

    Amongst the five-strong personnel of the Strokes, only one of them has thought to fill the yawning months of downtime (three albums in eight years) with a solo career. Albert Hammond, Jr., the band’s rhythm guitarist, white-’fro-wearer and self-confessed studio geek, first broke cover with 2006’s power-pop-bubbling Yours To Keep. This second album is more grown-up, confident and varied, fully justifying its own existence by rarely wandering onto obviously Strokes-y terrain.

    As the provider of his main band’s scratchy NYC-punk riffin’, Albert clearly relishes returning to a less uptight, more neo-classical rock sound, much as, say, Evan Dando did circa the Lemonheads’ It’s a Shame About Ray. His drawling, artfully distorted voice is the aural spit of John Lennon’s. Several tunes touch on Raspberries-style soaring songcraft, while "The Boss Americana" crunches in on a Keith Richards-slash-Angus Young mega-rock riff, humongous enough to fill Shea Stadium (even if they are knocking it down!)

    Only on a trio of tracks ("You Won’t Be Fooled By This"; the frantic "G Up," the chorus of "Miss Myrtle") could you rightfully identify Hammond’s trademark jangle. These are balanced out by a forlornly beautiful, slo-mo instrumental called "Spooky Couch," and the esoteric Slits-y beats of "Borrowed Time."

    Pending the arrival of Strokes Biggie #4, it’s good to hear Hammond cutting pop of stand-alone interest and excellence.

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