Unforgettable: With Love

Rate It! Avg: 4.5 (38 ratings)
Unforgettable: With Love album cover
Album Information
  • Artist: Natalie Cole (See All Albums by Natalie Cole)
  • Date Released: Jul 25, 2008

  • Genre: Rock/Pop, Style: Pop

  • Label: Rhino/Elektra

Total Tracks: 22   Total Length: 73:17

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just saw her in concert today

NWNice

many of these songs. were played.. with the Austin Symphony.. dreamy..

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Unforgettable is right

oldlvr

It was a fantastic album. The music is free and easy. It left me with the feeling that they both were in the room with me. Their vocals were well blended and smoothe.

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NAT'S UNFORGGETABLE DAUGHTER

JJD3

HAS COME INTO HER OWN - GREAT SONGS, GREAT VOICE & GREAT QUALITY.

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Unforgettable Natalie

isaacmusicman

After running from her father's genuis for so long, Natalie Cole finally wised up and realized that she was Nat Cole's daughter. Seriously, who else could given these songs justice. It was like Nat wrote all these songs with her in mind, which made them taylor made for Natalie. The "Unforgettable" duet was amazing! What was also amazing, is even though she didn't change any of the original arrangements of the songs, they still sound fresh, even with her voice. May sound cliche', but this was truly "Unforgettable"!!!!!!!

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They Say All Music Guide

A major change of direction for Natalie Cole, Unforgettable found the singer abandoning the type of R&B/pop she’d been recording since 1975 in favor of jazz-influenced pre-rock pop along the lines of Nat King Cole’s music. It was a surprising risk that paid off handsomely — both commercially and artistically. Naysayers who thought that so radical a change would be commercial suicide were proven wrong when the outstanding Unforgettable sold a shocking five million units. Quite clearly, this was an album Cole was dying to make. Paying tribute to her late father on “Mona Lisa,” “Nature Boy,” “Route 66,” and other gems that had been major hits for him in the 1940s and early ’50s, the 41-year-old Cole sounds more inspired than she had in well over a decade. On the title song, overdubbing was used to make it sound as though she were singing a duet with her father — dishonest perhaps, but certainly enjoyable. Thankfully, standards and pre-rock pop turned out to be a primary direction for Cole, who was a baby when the title song became a hit for her father in 1951. – Alex Henderson

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