Lord For £39

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Album Information

Total Tracks: 14   Total Length: 47:21

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philip sherburne

eMusic Contributor

Electronic music columnist for eMusic.com; writer for fishwrap like The Wire, XLR8R, SF Weekly, RES, Nylon, and Wired; columnist for Pitchfork; blogger (www.phi...more »

12.01.08
Landstrumm reaches outside of dubstep's box of tools
2008 | Label: Planet Mu / Revolver

Scotland's Neil Landstrumm has long been a member of techno's avant-garde; like Cristian Vogel, a collaborator and labelmate on imprints like Sativae, Mosquito and Tresor, Landstrumm approaches techno less as a fixed style than as a field for open-ended investigations into rhythm and sound design. That doesn't mean he's stubbornly resistant to genre: Restaurant of Assassins was a collage of classic styles that invoked the early, hyper-fertile years of British dance music. Lord for £39, likewise, loosely bases itself in dubstep's signature tropes — nausea-inducing bass, machine-shop percussion, staggering rhythms led by ducking, feinting kick drums. There's even what sounds like an open homage to another dubstep producer, Rustie; "Little Help from Rustie" features the same warbly bleeps and swings with the same derangement as the fellow Scot's bizarre, 8-bit funk.

But unlike many dubsteppers who seem content to reach for the same presets, Landstrumm never sounds like he's fitting pieces into a predetermined template. Lord for £39 revels in its sound design: every bass sound warps and frizzles, but each in a different way. From the impish to the garish, every high-end melody keeps in character, rounding out a cast filled with drunks, nags and outright loonies.… read more »

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Humourous Titles with Bass-Heavy Songs

EMUSIC-02040AE7

Recommended listens on this album are Mask of Musk (sounds like a video game), £20 to Get Home, and Transmission. It may not be the most original or authentic breakbeat/2-step album but it is certainly amusing and bass-heavy.

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They Say All Music Guide

Neil Landstrumm’s unique brand of jittery, off-kilter broken beat grime and psychedelic dubstep is given a slightly grungy, lo-fi makeover on Lord for 39, his second offering on the Planet Mu label. Fans of his offbeat musical humor and stutteringly funky grooves will get a big kick out of the sounds he coaxes from his crappy analog gear, as well as the cameo appearances by artists like Si Begg, Ebola, Profisee, and the brilliant DJ Carlton “Killawatt” Valley, who turns the unfortunately titled “Shit Daddy Bass” into a brilliant slice of grimey dubstep-dancehall bashment. “Little Help from Rustie” (featuring Tobias Schmidt) brings in a more conventionally hip-swinging funk groove, while “King of Malta” is paradoxically glitchy and lighthearted. “Nike Volume” (which features a cameo by Edinburgh-based MC Profisee) is more house-based than usual, and very effective; “Category D,” on the other hand, suffers from an annoying “nyah-nyah-nyah” melody that its bouncy soca rhythm can’t make up for. The album closes on a solidly positive note, though, with the excellent “Ross Kemp as Pixel”.” Quirky, sometimes downright crazy, but almost always brilliant, Neil Landstrumm continues to blaze his own uniquely compelling trail through the thickets of contemporary techno. – Rick Anderson

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