Times of Grace

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Times of Grace album cover
Album Information

Total Tracks: 11   Total Length: 66:08

eMusic Features

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Kicking at the Boundaries of Metal

By John Wiederhorn, eMusic Contributor

As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original vision is at least partially consumed by their new sounds, and their albums feature as many or more elements of post-rock, prog, hardcore, alternative, industrial or jazz as they do metal. Regardless of the genres in which they dabble, acts… more »

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Who Are…Hull

By J. Edward Keyes, Editor-in-Chief

Late last year, the Brooklyn band Hull released Beneath the Lightless Sky, a seething, lumbering monster of a metal record that contained within its elaborately-mapped sonic tunnels the story of Mayan brothers on two very different life paths. Their songs are epic in every sense: Most of them push well past the five-minute mark and contain deliberate leitmotifs, multiple movements and repeated melodic themes. As you might expect, they're not ones to stick to a… more »

They Say All Music Guide

After ten years and five albums of groundbreaking progressive death metal, Neurosis have managed to carve a highly original niche for themselves…coming off somewhat like a Tool for extremists. Yeah, you heard right. But while this Oakland bunch deserve great kudos for such unwavering commitment to their vision, they seem fated to remain confined to well-kept secret status for remaining so stubbornly inaccessible. 1999′s Times of Grace adds another chapter to this ongoing dilemma by delving ever deeper into the group’s hypnotic semi-industrial dirge. But whereas previous efforts tended to suffer from erratic songwriting and uneven pacing, many tracks taking painfully long to build towards their crescendos, this album offers the most seamless continuity of any album in the band’s challenging discography. Transition pieces like “Exist” and “Descent” are confined to separate musical interludes, allowing central pieces like “End of the Harvest,” “Under the Surface,” and “Away” to be hammered out with more efficiency and power. Now don’t be fooled. There is no in-between with Neurosis — either you love them or you hate them, so approach with caution. With time and patience, Times of Grace may prove one of the group’s most satisfying works for long-time converts, but it will most likely seem too exhausting to the uninitiated. – Eduardo Rivadavia

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