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Nina Simone: The Tomato Collection

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Nina Simone: The Tomato Collection album cover
01
Cotton Eyed Joe
3:43 $0.99
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I Got It Bad And That Ain't Good
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You Better Know It
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Satin Doll
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It Don't Mean A Thing
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The Laziest Girl In Town
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The Assignment Song
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See Line Woman
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Ne Me Quitte Pas
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Remind Me
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No Opportunity Necessary
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Backlash Blues
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Ain't Got No
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But Beautiful
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Blues Prelude
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Blues
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One More Sunday In Savannah
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I Want A Little Sugar In My Bowl
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Ain't No Use
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Young Gifted and Black
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Gin House Blues
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Zungo
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Spring Is Here
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Just In Time
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Please Don't Let Me Be Misunderstood
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House of the Rising Sun
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Near To You
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When I Was A Young Girl
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Porgy
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Solitude
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Hey, Buddy Bolden
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Four Woman
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The Thrill Is Gone
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Since My Love Is Gone
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Black Is The Color
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I'll Look Around
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When I Was In My Prime
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Album Information
EDITOR'S PICK

Total Tracks: 37   Total Length: 149:33

Find a problem with a track? Let us know.

eMusic Review 0

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Kandia Crazy Horse

eMusic Contributor

04.22.11
Nina Simone, Nina Simone: The Tomato Collection
2005 | Label: Tomato Records / The Orchard

Born Eunice Kathleen Waymon in Tryon, NC, the late jazzy chanteuse and pianist known as Nina Simone is an icon in the black community — even after her eventual "defection" to France, where she lived out the remainder of her life — particularly (and to the world at large as well) for her post-war refresh of the vocal jazz aesthetic and her activism. However, despite tending to be classified as a jazz or sometimes a soul artist, Simone's music is truly unclassifiable, swinging as it does from hillbilly classics ("Cotton-Eyed Joe") to pop to blues ("House of the Rising Sun") to standards and island folk ("See Line Woman"). (The gem is the rockin '"No Opportunity Necessary," also done brilliantly by Richie Havens.)

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Wonderful stuff!

RikS

Yes liner notes would be a nice addition to downloads.

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40 years and more

EarlyBird

I've been a big fan of Nina since I bought my first record more than 40 years ago. Her voice always goes right to the heart. The specific style of her piano playing is seldom mentioned, but is has a classical touché that always remindes me of J.S. Bach piano music. This collection is a strange one, with very different line ups: big band, violins, small combo's. Can anybody tell why it is called The Tomato Collection? My favorite: Hey, Buddy Bolden. Listen to the beginning of jazz music. A wonderful story.

user avatar

What a wonderful crooner

Poppio

Among the female crooners, Nina is a queen. I really only barely knew her name, despite having been a jazz fan for many years. What a find! This album has become a staple in my jazz collection.

user avatar

Frustrating!!

speedoo

My problem with downloads is that the only thing you get, besides the tracks and the limited track info, is the album art. In most cases that's not a big deal, but when I listen to Nina, knowing what I do about her life, I gotta know what stage in her amazing life the music's coming from. And in the case of live recordings, where she was. Same with Bob Dylan, for me, but in the case of Dylan, it's pretty easy to know that. Not so with Nina. What about it eMusic? Give us liner notes!!

user avatar

The Nina 4-track demos

BasicFramework

This is a fascinating and strange collection. Most of these songs are different or alternate versions from the well-known ones. Other reviewers have commented on the audio quality of the Tomato recordings. These are quite good, but there's a thrashy, rough aspect to the mixes, which has its charms, but also makes them sound like 4-track demos or early Velvet Underground recordings. (In fact, two tracks --The Assignment Song and No Opportunity Necessary -- sound not far from the VU catalogue.) Worth a listen. You'll hear Nina for the first time all over again. This sounds raw and fresh.

user avatar

amazing voice, good sound

StayHungry

the other nina simone albums on emusic seem to suffer from poor sound quality, but this one does not. the engineering is clear, and her powerful voice shines.

user avatar

Nina tops it all

Chick

I once met Nina Simone when she was playing a Baton Rouge club in the 50's. She exuded profesionalism like no other performer. She was more interested in her live performances than album she could record. She deserves to be listened to today to see what the real blues were...

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