10th

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10th album cover
Album Information

Total Tracks: 16   Total Length: 77:55

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Andy Battaglia

eMusic Contributor

Andy Battaglia writes about music and culture of various other kinds from a home base in New York. His work has appeared in the Wall Street Journal, the Wire, t...more »

04.22.11
The laptop dicer-and-enticer at his most mellow.
2004 | Label: Thrill Jockey

For a technician normally found staring down details, Nobukazu Takemura sounds laid-back and enamored with the idea of song on 10th. His dice-and-entice laptop approach still abounds (and his idea of song remains less than conventional), but foregrounded robot vocals give most of 10th a humming lilt. In "Perch," synth-processed voices swim in a glitchy sonic soup, suggesting a melody in a current of xylophones, bells and static. "Wandering" congeals into a miniaturized dance track &#8212 all syncopated clicks galloping beneath a pensive Vocoder hook. The uniformity of vocal tone threatens to wear thin after a few songs, but primitive Speak & Spell invocations prove a homey fit within Takemura's gameful backdrops, which shutter and twitch when not leaning back in loungey repose. 10th doesn't show Takemura at his most focused or attentive, but its mellow moods gather into a yawning rapture by the end.

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They Say All Music Guide

Using a computer like a DJ uses a turntable, Nobukazu Takemura samples instruments from piano to vibraphone, and adds bouncy beats and even “speech-synthe” vocals to create a retro-futuristic playland. On 10th, Takemura focuses on bright and playful sound collages that bear resemblance to the vibe of Air, the style of Tortoise, and Mouse on Mars’ use of instruments as opposed to computer-generated sounds. “Machine’s Dream” is a jaunty, robot fantasy come to life. “A Puff of Word” ticks, scatters, and gurgles like a groovy, toy factory assembly line. On “Lost Treasure,” Takemura proves he can make synthetic vocals sing — the voice is not from a vocoder, “speech-synthe” technology was developed to help people with certain disabilities communicate more easily. 10th is a record that is sometimes ambient (“Mumble”), sometimes built on simple, uplifting loops (“Cons”), and sometimes even constructed around driving rhythms (“Perch”) — but the album is always fantastical and innocent, a meeting of magic and technology. – Charles Spano

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