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I Blame You

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I Blame You album cover
01
Widow of My Dreams
4:22
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02
Pine On
3:37
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03
Fake Kinkade
3:09
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04
Two-Headed Coin
4:17
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05
Run
2:41
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06
I Blame You
1:08
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07
Talking to the Dog
2:42
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08
Light Sweet Crude
3:55
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09
Lilies in the Street
3:55
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10
Sud
4:04
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11
Milk Cow Blues
4:16
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12
Back and Forth
3:34
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Album Information
EDITOR'S PICK

Total Tracks: 12   Total Length: 41:40

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Andy Beta

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Andy Beta has written about music and comedy for the Wall Street Journal, the disco revival for the Village Voice, animatronic bands for SPIN, Thai pop for the

03.15.10
Surf rock-informed guitar and furious-paced roadhouse rhythms
Label: Sub Pop Records

In the early '90s, while many of their California underground alternative-rock peers were making albums that harkened back to decades-old surf-rock and rockabilly, complete with vintage comic book-styled covers (see Phantom Surfers, The Mermen, Groovie Ghoulies, etc.), gravel-throated singer/guitarist Rick Froberg was moving forward with the precise, corrosive and epic math rock of Drive Like Jehu. Sonic and visual throwbacks may have been endemic to the scene then, Froberg eschewed thrift-store nostalgia,… read more »

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great!

smoke2much

enjoy RF...great song writer, love the new stuff. 1 cross a piece on the single is a great one to get as well.

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SXSW 2011: Day 1 Report

By J. Edward Keyes, Editor-in-Chief

Now well into its second decade, the days during which South By Southwest - and the bands it attracts - could count novelty as a chief draw are long over. And with blogs and social media sites having likewise moved from fad to institution, the odds that anyone would be hearing a band for the first time in Austin is also significantly reduced. And so the thousands of bands looking to make an impression at… more »

They Say All Music Guide

As the new millennium loomed, the Dictators posed the musical question “Who will save rock & roll?” and it seems like plenty of folks are still searching for an answer to that particular puzzle. In the early months of 2008, a handful of fans placed their hopes in the Obits, a new band featuring some guys who’d launched worthy campaigns on rock’s behalf in the past — Rick Froberg (ex-Drive Like Jehu and Hot Snakes), Sohrab Habibion (formerly with Edsel) and Scott Gursky (who also plays with Shortstack). After playing a single gig in New York City, a bootlegged live tape of the Obits made its way onto the internet (as does everything these days) and before long seemingly every hipster blogger who still thrilled to the sound of electric guitars was talking up the new band, with Sub Pop getting excited enough to sign the Obits before they could even get around to self-releasing a single. Given the track record and the buzz that preceded the Obits’ first album, one would have every right to be wary about 2009′s “Next Great Thing,” but if I Blame You isn’t going redefine the way we look at rock & roll, it confirms that the word on these guys wasn’t wrong — the Obits are a very good band. Froberg and Habibion make an impressive tag-team combo on guitars, and their interwoven six-string patterns crackle with energy as they bounce thick, bluesy chording off lean, angular lines like a steak meeting a sharp knife. Bassist Greg Simpson and drummer Gursky are just the right rhythm section for this band, locking the songs into place with taut efficiency while leaving room to thoughtfully fill up the spaces when need be. Put ‘em together and they run like a top, laying out music with the clean lines of the Ventures and the pure mania of Radio Birdman. I Blame You gets the Obits cool but muscular sound onto plastic with just the right hands-off production approach, and the high points like “Pine On,” “Talking to the Dog” and “Lilies in the Street” are enough to get anyone who digs rock that’s smart and physical at the same time excited. The trouble is that while the Obits have the makings of being a great band, they haven’t quite written a batch of great songs yet (it doesn’t help that two of their better efforts were used up on the great single they put out a few months before I Blame You was released), and a few tracks here seem like little more than well-executed filler (most notably the title track, which isn’t a song so much as a repeated riff that peters out after a bit more than a minute). So the Obits might just have the stuff to save rock & roll, or at least keep it off life support for a while, but as good as I Blame You may be, they’re going to have to get their songwriting chops in order before they can really finish the job. – Mark Deming

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