The OMD Singles

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Album Information

Total Tracks: 18   Total Length: 69:58

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an important part of new wave history

VicEdee

Orchestral Manoeuvres in the Dark (dislike the OMD shortening) are one of the most influential and most under-rated (least respected?) of all modern electronic-pop bands. Founded in Northern England in the late 70's, their early songs ("Electricity" and "Messages" here) were brilliant "next steps" in the legacy of Kraftwerk -the German Band that is EVERY synth/electronic bands "grandfather". Followed by the beauty of "Enola Gay", and especially "Souvenir", "Joan of Arc" and "Maid of Orleans" from the ground-breaking "Architecture and Morality" LP - Orchestral Manoeuvres in the Dark humanized the "Robots" of Kraftwerk, through beautiful melodies and pop songs fitting for the new wave of the 80's era to come.... The balance of this collection (tracks 7-18) is a good sample of their later more commercial (and less significant) work. Everyone should add this collection (or the original 3 albums -not availbale here) to their collection of pop music history

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eMusic Features

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'80s One (Or Two) Hit Wonders

By Ryan Fissell, eMusic Contributor

Every decade, a new batch of songs rockets up the pop charts, bringing quick fame and wild glory to the artists who sing them. And, just as inevitably, those split-second chart toppers usually slink quietly back into obscurity in the years that follow their One Big Hit. Perhaps no decade produced more momentary Mozarts than the 1980s. Cynics will say the songs from this era are drivel -- that artistic integrity was low on a list… more »

They Say All Music Guide

Looking back on 20 years of creative growth since the electro-pop band’s inception, The OMD Singles is logically and chronologically arranged. The earliest recordings, 1980′s “Electricity” and “Messages,” prove electric messages were being channeled from such German pioneers as Kraftwerk and Neu! These English boys were enamored of melody, though, and it was not long before such dulcet, song-like structure became self-evident, as in 1984′s “Tesla Girls.” From then on, it is a steady climb in coherence, with synth rhythms downplayed in order to bring the melodic theme to the front. The pinnacle of this progression is OMD’s memorable “So in Love” (1985) and “If You Leave” (from 1986′s Pretty in Pink). The album closes with their last hit, 1996′s glam-influenced autobiography “Walking on the Milky Way.” The last original member, Andy McCluskey, has blessed this greatest-hits package as the final swan song for the long-lived group. Originating in post-punk synth experimentation and closing in dated, but still strong, pop productions, The OMD Singles is an excellent time line of the band whose sound covered in a single career that same territory explored by the Human League, Erasure, Yaz, New Order, and beyond. – Tom Schulte

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