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Stankonia

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Stankonia album cover
01
Intro
0:54 $0.99
02
Gasoline Dreams
Artist: Outkast with Khujo Goodie
3:33 $0.99
03
I'm Cool (Interlude)
0:44 $0.99
04
So Fresh, So Clean
4:00 $1.29
05
Ms. Jackson
4:30 $1.29
06
Snappin' & Trappin'
Artist: OutKast with Killer Mike & J-Sweet
4:20 $0.99
07
D.F. (Interlude)
0:27 $0.99
08
Spaghetti Junction
3:57 $0.99
09
Kim & Cookie (Interlude)
1:13 $0.99
10
I'll Call Before I Come
Artist: Outkast with Gangsta Boo & Eco
4:18 $0.99
11
B.O.B.
5:04 $1.29
12
Xplosion
Artist: OutKast with B-Real
4:09 $0.99
13
Good Hair (Interlude)
0:15 $0.99
14
We Luv Deez Hoez
4:11 $0.99
15
Humble Mumble
Artist: Outkast with Erykah Badu
4:51 $0.99
16
Drinkin' Again (Interlude)
0:24 $0.99
17
?
1:29 $0.99
18
Red Velvet
3:53 $0.99
19
Cruisin' In The ATL (Interlude)
Artist: Southside
0:19 $0.99
20
Gangsta Sh*t
Artist: Outkast featuring Slimm Calhoun & C-Bone
4:41 $0.99
21
Toilet Tisha
4:25 $0.99
22
Slum Beautiful
4:08 $0.99
23
Pre-Nump (Interlude)
0:27 $0.99
24
Stankonia (Stanklove)
6:51 $0.99
Album Information
EDITOR'S PICK

Total Tracks: 24   Total Length: 73:03

Find a problem with a track? Let us know.

eMusic Features

0

Six Degrees of Kate Bush’s Never for Ever

By Marc Hogan, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

eMusic Yearbook: 2000

By Hua Hsu, eMusic Contributor

It started with a note of relief. Our computers had survived; we had made it. The clocks had passed midnight into the year 2000, not 1900, and all those tanks of propane and fresh water cached in the garage became souvenirs of an instantly-embarrassing paranoia. Perhaps the year 2000 was the last time many would regard a computer with suspicion. Fears of the machine-chaos that would ensue as computer clocks the world over tried in vain to… more »

1

Six Degrees of Outkast’s Stankonia

By Hua Hsu, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Band Aid

By Hua Hsu, eMusic Contributor

On September 7th, a federal appeals court in Cincinnati, Ohio, all but closed the book on sampling in hip-hop. A three-judge panel ruled that recent federal laws pertaining to the piracy of digital recordings also apply to the recycling of old songs by producers. Deviating from previous agreements that set up limits and tests for "legal" usages, the new decision aims to tighten the clamps on all lengths and types of samples, from entire riffs… more »

0

Icon: Outkast

By Michelangelo Matos, eMusic Contributor

The player and the poet; the funk-faithful homeboy who raises pit bulls and the slightly spacey guitar-wielding dandy who takes movie parts; the championship singles act whose albums work best as whole units: What about OutKast isn't a dichotomy? Only their incredibly long shadow: for their first decade as a recording act, Big Boi (player, pit bull-raiser) and Andre 3000 (a.k.a. Dre and 3 Stacks; poet, dandy) pushed every rule about what hip-hop could and… more »

0

Six Degrees of There’s a Riot Goin’ On

By J. Edward Keyes, Editor-in-Chief

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Stankonia was OutKast’s second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo’s futuristic bent. Keyboardist/producer Earthtone III helms most of the backing tracks, and while the live-performance approach is still present, there’s more reliance on programmed percussion, otherworldly synthesizers, and surreal sound effects. Yet the results are surprisingly warm and soulful, a trippy sort of techno-psychedelic funk. Every repeat listen seems to uncover some new element in the mix, but most of the songs have such memorable hooks that it’s easy to stay diverted. The immediate dividends include two of 2000′s best singles: “B.O.B.” is the fastest of several tracks built on jittery drum’n'bass rhythms, but Andre and Big Boi keep up with awe-inspiring effortlessness. “Ms. Jackson,” meanwhile, is an anguished plea directed at the mother of the mother of an out-of-wedlock child, tinged with regret, bitterness, and affection. Its sensitivity and social awareness are echoed in varying proportions elsewhere, from the Public Enemy-style rant “Gasoline Dreams” to the heartbreaking suicide tale “Toilet Tisha.” But the group also returns to its roots for some of the most testosterone-drenched material since their debut. Then again, OutKast doesn’t take its posturing too seriously, which is why they can portray women holding their own, or make bizarre boasts about being “So Fresh, So Clean.” Given the variety of moods, it helps that the album is broken up by brief, usually humorous interludes, which serve as a sort of reset button. It takes a few listens to pull everything together, but given the immense scope, it’s striking how few weak tracks there are. It’s no wonder Stankonia consolidated OutKast’s status as critics’ darlings, and began attracting broad new audiences: its across-the-board appeal and ambition overshadowed nearly every other pop album released in 2000. [Stankonia was also released in a "clean" edition, containing no profanities or vulgarities.] – Steve Huey

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