Stories From The City, Stories From The Sea

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Stories From The City, Stories From The Sea album cover
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Total Tracks: 12   Total Length: 47:25

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Maura Johnston

eMusic Contributor

11.16.10
An enduring, beautiful testament to the transformative power of love
2000 | Label: ISLAND RECORDS

Perhaps PJ Harvey's most accessible record (complete with Thom Yorke cameo!), Stories is full of straightforward rock 'n' roll tracks — straightforward, at least, in the context of Harvey's catalog, which is to say that the songs here aren't exactly arena-ready. Still, from the first ringing guitar note on "Big Exit," in which she declares her intentions to face the crazy world as long as her lover's by her side, Harvey puts her emotions and her melodies front-and-center in a way that's simultaneously disarming and rapturous. While there is some exploring of the dank underbellies of the world — see the end-of-the-affair duet with Yorke "This Mess We're In," the love-as-war howl "Kamikaze," or the examination of urban striving "The Whores Hustle and the Hustlers Whore" — there's also what might be the best love song in her body of work, the love letter to a lover and to New York "Big Exit," and the declaration of something resembling inner peace "Horses In My Dreams."

Even with its explorations of love's darker themes, Stories has a brightness about it compared to the rest of Harvey's catalog #&8212; mind you, it's the brightness of a rain-slicked city afternoon as opposed to, say,… read more »

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love this!

woodsport

brilliant. masterpiece.

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They Say All Music Guide

During her career, Polly Jean Harvey has had as many incarnations as she has albums. She’s gone from the Yeovil art student of her debut Dry, to Rid of Me’s punk poetess to To Bring You My Love and Is This Desire?’s postmodern siren; on Stories From the City, Stories From the Sea — inspired by her stay in New York City and life in the English countryside — she’s changed again. The album cover’s stylish, subtly sexy image suggests what its songs confirm: PJ Harvey has grown up. Direct, vulnerable lyrics replace the allegories and metaphors of her previous work, and the album’s production polishes the songs instead of obscuring them in noise or studio tricks. On the album’s best tracks, such as “Kamikaze” and “This Is Love,” a sexy, shouty blues-punk number that features the memorable refrain “I can’t believe life is so complex/When I just want to sit here and watch you undress,” Harvey sounds sensual and revitalized. The New York influences surface on the glamorous punk rock of “Big Exit” and “Good Fortune,” on which Harvey channels both Chrissie Hynde’s sexy tough girl and Patti Smith’s ferocious yelp. Ballads like the sweetly urgent, piano and marimba-driven “One Line” and the Thom Yorke duet “This Mess We’re In” avoid the painful depths of Harvey’s darkest songs; “Horses in My Dreams” also reflects Harvey’s new emotional balance: “I have pulled myself clear,” she sighs, and we believe her. However, “We Float”‘s glossy choruses veer close to Lillith Fair territory, and longtime fans can’t help but miss the visceral impact of her early work, but Stories From the City, Stories From the Sea doesn’t compromise her essential passion. Hopefully, this album’s happier, more direct PJ Harvey is a persona she’ll keep around for a while. – Heather Phares

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  • 02.12.09 We are happy to announce that Polly & John will make a whirlwind visit to the States in March ahead of their album release.