Quiet City

Rate It! Avg: 4.5 (87 ratings)
Quiet City album cover
Album Information

Total Tracks: 8   Total Length: 45:09

eMusic Review 0

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Joe Muggs

eMusic Contributor

03.24.06
Blurring the label's rich traditions of processed guitar drone with musique concrète
2004 | Label: kranky / Iris

Some of Kranky's greatest releases are those that dissolve rhythm and float free into wide open imaginative spaces. Certain acts, like Ethernet, work entirely with electronics, but more often, as with Pan American, they blur the label's rich traditions of processed guitar drone with musique concrète, ambient and even new age music to make elegantly layered sounds in which one can get completely lost. But this is not music to switch off to, and doesn't offer the anodyne comfort of "chillout": As the title perhaps suggests, Quiet City invites contemplation and exploration of its spaces, but like any city, while it is complex and beautiful, there is dirt and threat here too. Like sitting outside in chilly dawn air in the aftermath of a chaotic night or on the morning before a life-changing decision, it feels like it exists outside of the usual routine of things.

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another great record but lo-fi quality from eMu$ic

killingtime

I like this. It's dreamy and narcotic. Ambient with an edge. But so much stuff from eMu$ic are low quality bit rates (this one averages about 150 kbps) that I'm only using eMu$ic for previews to see if I wanna buy the CD. I'll get the CD of this (which comes with a DVD BTW), rip it at 320 kbps and call it a night. The difference between the two bit rates is subtle but it's there; especially listening with good headphones. If eMu$ic weren't so freakin' greedy, they would take the time to encode with care. Instead we're stuck with below iTune$ quality. I'd rather pay a few dollars more per recording if I knew the quality would be there. If people like Beatport and Turntable Lab can encode at 320, so can eMu$ic. Anyway, you get what you pay for I guess.

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Great music

LichenWeights

A near perfect record in my book and one that I return to again and again. Perhaps ranks up there with another unlikely Kranky classic - Low's Secret Name - for poise, grace, listenableness (?) and sheer all enveloping analog feel. Whatever your taste in music i'd recommend making some time for this.

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the cinema of dreams

digaman

Exquisite, cinematic musings with keyboards, bass, flugelhorn, and whispering vocals. Atmospheric without being inert, quiet without being boring, ambient without being background music. Great music for writing, computing, or making love with a lover you're not sure about.

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Exquisite

verve825

That this record has a dozen reviews and averages 5 stars, with no reviews, will make perfect sense once you download it. Quiet, beautiful, in no way self-indulgent, and close to perfect. Very highly recommended.

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eMusic Guide to Kranky Records

By Joe Muggs, eMusic Contributor

Kranky's great skill is escapology; it's practically defined by its ability to evade definition. If there is received wisdom about the Chicago label, it's as a home for abstracted guitars, moody soundscapes and occasionally spiky electronic beats: all very serious, very studious, very intense. Maybe when Bruce Adams and Joel Leoschke founded it in 1993, it could have been pegged as an indie label that tended toward the experimental — but with each release it… more »

They Say All Music Guide

Mark Nelson, who is Pan American, cannot find a way to leave well-enough alone — thank goodness. The first two albums under this moniker were organic, strange and beautiful outings with standard instrumentations and various keyboards added for effect. His last, The River Made No Sound got jiggy with a barrage of computer-generated effects and sounds almost exclusively. On Quiet City, Nelson brings back the layered electronics, shimmering muffled beats, and striated time and space stretches, and juxtaposes them against upright bass, drums, trumpet, and fugelhorn. As he has done on the early Labradford records, Nelson even sings, making poetic song-like structures of his compositions. The result is a deeply nocturnal, hushed recording that moves in several directions at once. The textures come in waves rather than layers, but they lap at the unconscious rather than in your backbone. They don’t swirl so much as undulate, and the various pieces become one dark rainbow body of restrained, humid, sonic inquiry that goes nowhere and everywhere at once. Brilliant. [Quiet City was also released in a special edition that included a DVD of a "video essay" by Chicago visual artist Annie Feldmeier.] – Thom Jurek

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