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Mapmaker

Rate It! Avg: 4.0 (170 ratings)
Mapmaker album cover
01
Fractured Skies
4:01 $0.99
02
Brighter Days
3:04 $0.99
03
Vision of Repair
3:36 $0.99
04
The Gold We're Digging
2:59 $0.99
05
New Crimes
3:02 $0.99
06
Long Way Down
3:56 $0.99
07
Ghosts Will Burn
3:50 $0.99
08
Unexplosions
4:55 $0.99
09
Camera Shy
1:08 $0.99
10
King of the Hill
2:31 $0.99
11
Fake Rain
3:15 $0.99
12
Knives and Pencils
6:03 $0.99
Album Information

Total Tracks: 12   Total Length: 42:20

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eMusic Review 0

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Todd Burns

eMusic Contributor

04.22.11
Parts and Labor resuscitate rock & roll's festering, lifeless corpse.
Label: Jagjaguwar / SC Distribution

Let's admit it: rock & roll is a dead scene. The old fogeys reunite or never broke up in the first place, trying to squeeze every last dollar out of their legacy, and the young turks all sound like delicate and studied rehashes of what once sounded dangerous. Well, not all young turks. Brooklyn's Parts and Labor, for example, offered a way out on 2003's Rise, Rise, Rise: they simply played the noisiest rock they could. And, for good measure, they added bagpipes.

Since then, they've mostly jettisoned the original dronemaker, but rest assured: they haven't gotten softer. In fact, Mapmaker is a kissing cousin to its predecessor, 2006's brutal Stay Afraid: Christopher Weingarten still pounds the skins with thundering force and frightening precision; while Dan Friel and BJ Warshaw man the keyboards, guitars and effects, crafting chaotic riffs, noise and everything in between.

All of this comes together on “Vision of Repair,” a noise anthem that features Weingarten's inhumanly fast drumming matched up against an organ (which has been turned to the Velvet Underground setting) and a guitar that bravely peeks through the fierce layer of distortion that covers the track. It's nothing, though, compared to the opener,… read more »

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Some Good Advice

NedKoppel

If you have any goddamn sense in your head, you will download this. It is crazy and noisy and lunatic and gorgeous and fresh and very drummy. Most important, though, it doesn't sacrifice melody for the sake of noise. C'mon. You know you wanna.

user avatar

Noisy beautiful noise

tennisloser

At first listen all I heard was noise, and a lot of it. The noise however, blossomed into pure musical bliss. Don't let the 30 second preview fool you, every one of their songs goes from frantic noise to beautiful frantic noise. This album challenged everything I love about music. At least download fractured skies, this song is so epic it sounds as if it were sang from mountain tops. The rest of the album does not disappoint either. The final song is sparse, yet builds to a full on orchestra of noise, ending with a final blow to a bass drum that reverberates in your head. It left me stunned and wanting more.

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Mapmaker and Receivers

dbswede

Its been a long time since a band has made me excited. When listening to this it reminds me of how it felt to hear a band like Husker-Du for the first time...A wall of noise with harmonies.

user avatar

don't get the love

HecklerSpray

I'm not seeing the reason to fawn. I've heard many a good reveiw from people I trust both here and friends in general, but it does almost nothing for me. The drums that others like sound pretentious to me. There is just no soul to it and it's not the electronics because I like Holy Fuck, and it's not the gruffness because I like early Constantines, and it's not the cacophony because I like No Age. Just a voice of dissent in this particular case.

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why do I have to come up with a title?

washwhatyoueat

This is sophisticated, melodic post-hardcore with the some of the best drumming I've heard since the first time I heard Six Finger Satellite. It kinda makes me miss the days of going to shows, boozing it up, and oogling cute hipster girls from a dark corner. I've since traded all of that in for daddy-hood and an SUV, and though they say you can't go home again, stuff like this at least lets you hide in the bushes and peek through the blinds...

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I might be thirty-harumph but...

pabs138

This record gives me the same shivers I got 20 years ago when I first heard Bad Brains, or the DK's, the Circle Jerks, or Minor Threat. I didn't think I could ever get that feeling again. The drummer is the second coming of Keith Moon, fucken awesome...

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There will be peace in our time

rocknrollsulan

I liken this band as an olive branch between the art-rock hipsters and neo-punks. This stuff just sounds so much better when it's not polished.

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This album burned my face off...

autoclamp

...but in a good way. I can't help but think of Husker Du and Arcwelder when I listen to this. For all of the noise and chaos highlighted in the reviews, strong melodies do break through in a very satisfying way.

user avatar

WTF

wbcxmidniteradio

Yes Rock and Roll is a dead scene. Lets all stop listening. After all EVERYONE knows you can't rock and roll past 30. At least everyone who'll NEVER make to 30 believes this tripe. Critics. Can't scrape them off my shoe fast enough.

Recommended Albums

They Say All Music Guide

2007 sees Parts & Labor — Dan Friel, B.J. Warshaw and Christopher R. Weingarten — moving back toward more song oriented material. While their brash, noisy amalgam of multiple instruments, electronics and heavy percussion is still part and parcel of their sound, the melodic approach that the group adopted on their last Jagjaguwar release Stay Afraid in April of 2006 has been refined here to include more hooks, more structure, and yes, more noise. From the slamming “Fractured Skies” that opens the set, Parts & Labor indulge freely the blastbeat percussion-heavy attack of heavy metal while maintaining an indie rock approach toward songcraft. The tune is virtually an anthem. Harmonic invention and shifting parts where instruments come and go all under the guise of Weingarten’s skin attack befits a much more guitar heavy band, but with the skittering electronics winding their way through every aspect of their compositional method — check “Vision of Repair,” “New Crimes” and “Ghosts Will Burn” — the band rely on strong vocal performances to make these songs find their way into the ears of the listener in a friendly and memorable manner. For all their chaos, one can hum any song on this record. It stands to reason that with Battles moving toward prog with their own brand of gleeful yet aggressive insanity, Parts & Labor move toward the ethos of punk while displaying the same sonic sophistication. Even in places where experimentation reigns supreme as it does on “Unexplosions,” the notion of moving ever forward to some sort of closure, resolution, or uplifting conclusion never wavers. The set closes with the completely out to lunch “Knives and Pencils,” where seemingly chanted vocals float through a soundscape of punishing tom toms and snares, a cheesy synthesizer, and an electro-acoustic tornado blows through the middle of the track like a Scottish marching troupe of pipers. Four albums in, Parts & Labor assemble all the parts and come up with something utterly “new” and different in rock. How often can you say that? – Thom Jurek

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Activity

  • 01.31.13 So @Google launched a service called "Map Maker"; and it's being used to ID prison camps in North Korea. http://t.co/sCdbAxKn
  • 01.07.13 Happy 2013 everyone. General announcement: P&L's @dfrieldfriel has a new album out next month on Thrill Jockey Records: http://t.co/kL4Vxi0y
  • 03.27.12 Sweet! Backwords covers our song "Little Ones" for the Voice Project http://t.co/Km0AcDmP
  • 02.27.12 Thanks again everyone who helped make Friday amazing. Here's Chad Beck's footage of the very end of the show: http://t.co/ax8HOTHN