This is good. Very good. Acclaim and the Pavel Haas Quartet are familiar bedfellows – after all, they did win Gramophone’s Record of the Year for their Dvo∑ák two years ago. But this is their first recording that really steps into a crowded marketplace. They represent the best qualities of the Czech tradition – warmth, sonorousness, individuality, intensity; but what’s striking here is their fearless risk-taking, their fervency and the absolute confidence with which they propel you through these two masterpieces. In the Quintet they have the perfect partner in cellist Danjulo Ishizaka – and there’s no sense of a quartet plus one, which hampered the Takács Quartet’s recent reading. Will these highly personal interpretations stand the test of time as effectively as the slightly cooler readings from the Belcea and, in Death and the Maiden, the Takács? From this proximity it’s impossible to say, but I’d say the odds are pretty good.